1970s Bronze Sculpture Signed "B Carpeaux JC" of Character with Cupid

Life-size bronze sculptures of two ladies with cherubs, where the bottom one is holding grapes, a symbol for autumn that dominates the piece along with vegetative motifs. The top che...

1980s Life-size bronze sculpture of a romantic woman.

1970s Bronze Sculpture of Dancing Children

Large bronze polychrome winged angel statue and base standing candelabra.    

This exquisite 19th-century French bronze sculpture, signed by the renowned artist Clodion, is a masterpiece of neoclassical art. Expertly crafted with intricate chiseling, the piece rests on a luxurious base made of antique red marble, adding to its elegance and timeless appeal. With its fine detailing and impeccable condition, this sculpture is a testament to the artistry and sophistication of the period. Key Features: Signature by Clodion: Signed by Clodion, a celebrated French sculptor known for his exceptional works in bronze and terracotta during the neoclassical era. 19th-Century Craftsmanship: Created in the 1800s, this sculpture reflects the high artistic standards of 19th-century French bronze art. Finely Chiseled Details: The bronze is meticulously detailed, showcasing the mastery of the artist in capturing texture and expression. Antique Red Marble Base: The sculpture is mounted on a striking base made from antique red marble, enhancing its visual appeal and stability. Excellent Condition: Despite its age, the sculpture remains in perfect condition, making it a valuable addition to any collection. Dimensions: Height: 40 cm (approximately 15.7") Width: 28 cm (approximately 11") Depth: 20 cm (approximately 7.9") Why Choose This Sculpture? This bronze sculpture is more than a decorative piece—it is a work of art with historical and cultural significance. Ideal for art collectors, history enthusiasts, or anyone with a passion for 19th-century French artistry, it serves as a focal point in any interior space. Order Now: Own this magnificent piece of French neoclassical art...

A very fine bronze study of Venus taking an arrow from Cupid her son, who at times would shoot his arrows without meaning or reason into the hearts of men, igniting their desire. Exhibiting excellent rich brown patina and good detail, signed Sul Abadie and stamped. Additional information Height: 93 cm Condition: excellent condition Circa: 1885 Materials: bronze & marble SKU: 4979 ABOUT Jean Sul-Abadie Jean Sul-Abadie (Born 1850 ~ Died 15th April 1890) was a French artist, a pupil of Jouffroy and Falguière. Specialising in bronze sculpting in the Art Nouveau style. He made his Salon debut in 1872. Cupid & Venus Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god of war. Out of this relationship, Cupid was born. In the following painting you see Venus with Mars, who is being disarmed by Cupid. Cupid has attributes from both of his parents. Like his mother he is considered to be the god of love, or more precisely, the god of falling in love. He is portrayed as an innocent little child with bow and arrows. He shoots arrows to the heart, and awakening a love that you’re powerless to resist. In classical mythology, Cupid (Latin Cupido, meaning “desire”) is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god Mars, and is known in Latin also as Amor (“Love”). His Greek counterpart is Eros. Although Eros is in Classical Greek art as a slender winged youth, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as “Love conquers all” and the retaliatory punishment or torture of Cupid. In art, Cupid often appears in multiples as the Amores, or amoriniin the later terminology of art history, the equivalent of the Greek erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto. Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine’s Day. Venus is the Roman goddess whose functions encompassed love, beauty, sex, fertility, prosperity, victory, and desire. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, who survived the fall of Troy...

This bronze is a figure of Cupid with his hands tied behind his back. The face is sweet with a demure smile. It was sculpted by the artist Denise Delayigne in France. It is 19th ce...

Antique (late 19th century) bronze sculpture of Venus adoring herself in a mirror held by Cupid, after the original model by Jean Louis Gregoire (1840-1890), is finely cast with a w...