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19th Century Bronze Grand Tour Neoclassical Souvenir Cupid Making an Arrow
About the Item
A lovely bronze neoclassical Grand Tour Souvenir depicting Cupid fashioning and arrow on his anvil. The sculpture is after the antique. It is numbered. Most likely Italian. It has nice worn patina although it was likely gilded at some point in the distant past. The piece is in estate fresh condition and we have not tried to clean it or wax the piece. There is some dust in the crevasses and some minor marks throughout.
- Dimensions:Height: 10 in (25.4 cm)Width: 12 in (30.48 cm)Depth: 6 in (15.24 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:Wear consistent with age and use. Minor losses. The piece is in estate fresh condition and we have not tried to clean it or wax the piece. There is some dust in the crevasses and some minor marks throughout.
- Seller Location:Palm Springs, CA
- Reference Number:Seller: Bridges over Time GT306671stDibs: LU835043749792
About the Seller
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Some patina loss minor nicks and surfaces scratches, please see the detailed photos.
For this interested this from Wikipedia about the original sculpture:
The Dying Gaul, also called The Dying Galatian[2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze.[3] The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon.
Until the 20th century, the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre.[4] However, in the mid-19th century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's neck torc, thick hair and moustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs.[5]
Description
The white marble statue, which may originally have been painted, depicts a wounded, slumped Gaulish or Galatian Celt, shown with remarkable realism and pathos, particularly as regards the face. A bleeding sword puncture is visible in his lower right chest. The warrior is represented with characteristic Celtic hairstyle and moustache with a Celtic torc...
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