19th Century Pair of Patinated Bronze Torchères by François Toussaint

Bronze oriental male figural torchère with bronze base and gilt patina. This figure exhibited at the Salon from 1850-51. In 1855 it appeared in the A.Collas and Barbedienne society c...

A finely casted patinated bronze sculpture of a dancer Zingara after a model by Jean-Baptiste Clésinger by F. Barbedienne foundry. Modeled dancing with a tambourine, inscribed F. BAR...

A fine 1867 exposition pair of patinated bronze figural torchères on pedestal Maker: A. Lacarrière Père, Fils et Cie. (Mid 19th century) Ori...

A monumental pair of gilt and patinated bronze figural sculptures of putti attributed H Nelson. Depicting two finely casted seated cherub holding reliefs. ...

A fine patinated bronze sculpture of two beauties by Hippolyte Moreau One female standing a flower, the other is seated. The base inscribed H. Moreau, su...

Denys-pierre Puech French, 1854-1942 La Sirene Signed ‘D.PUECH’; inscribed F. BARBEDIENNE, Fondeur Patinated Bronze circa 19th century Foundry Cast: Ferdinand Barbedienne 37 1/2 in. x 27 in. x 16 in Notes: Puech conceived the idea for ‘La Sirene’ during his stay at the Villa Medici when he fell passionately in love with the celebrated opera singer Emma Calvé, who was then performing in Rome. Peuch wrote, "it is to her that I owe the inspiration for the group." The sculpture shows a winged chimeric siren with a tail of a fish abducting a Ephebus. Puech noted the rarity of the scene of a woman abducting a man, rather than the more common depiction of a man carrying away a female victim. Peuch says, “I had the presentiment that, with the Siren's rape of the Ephebus, I could express the force of passion, which reached towards the unknown, which, itself, might be fidelity or the fall..." In Greek mythology the sirens seduced sailors with their singing only to lead them to their death in the sea. Literature: Denys Puech...

François-Christophe-Armand Toussaint (1806-1862) A large pair of French mid-19th century gilt and patinated bronze figural torchères: Esclave Indien and Esclave Indienne cast by F. Barbedienne (before 1869) from models by Toussaint dated 1850 the male and female figures each holding aloft glass flame shades, on panelled chamfered rectangular black marble plinths, the bronze pedestals of cylindrical baluster form with acanthus leaf collars and four engaged foliate scroll corbel supports with fluted ornament, on circular socles cast in the form of ribbon-bound laurel garlands, each signed A.Toussaint 1850 and Fondeur F.Barbedienne, 36cm wide, 36cm deep, 217cm high (14in wide, 14in deep, 85in high). the figures 112cm high (44in high Armand Toussaint first exhibited a plaster model at the 1847 Salon in Paris entitled "Un esclave indien portant une torche" along with its female pendant...

This very fine patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a marble torch. This symbolic representation of Music, falls within Coutan’s allegorical work. We have a number of marble pedestals this Torchere would stand on. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond...

Constructed from patinated and gilded bronze, the large figures clothed in the Antique style, after the original design by Jean-Joseph Foucou, today residing at the Louvre, posed in ...

A wonderful and very detailed pair of French 19th century patinated bronze statues. Each is raised on a square base with the word...

A wonderful and very decorative pair of French 19th century patinated bronzes, signed Bulio. Each is raised on a circular base depicting the ground. One bronze is of an adorable wing...

A charming true pair of French 19th century patinated bronze statues signed H. Ferrat. Each bronze is raised by a square ormolu base and with a circular patinated bronze pedestal. Th...