20th Century French Harlequin Men Bronze, 1950s

Beautiful 20th century rounded Chinese Cork diorama from the 1950s. Finely carved decoration in its glass case and black lacquered base. Careful and delicate work of miniature sculpture, representing a Chinese landscape view, a pagoda in a traditional garden, surrounded by conifers and rocks. Asian traditional cork sculpture made in China...

Very nice vintage 20th century Plaster made in the 1950s as an advertisement for the lingerie Liane for DIOR. Good condition for its age.

Very beautiful bronze door knocker representing the head of a horse and a shoe which will serve as a knocker. Dates from the 50s. Good quality.

Magnificent and rare automaton pianist doll under a globe made by automaton repairer and manufacturer Jean Farkas in the 1950s. The doll plays a serenade of Haydens by Mozart, its ...

Pair of Chinese bronze figures of deities standing on dragons. The two sculptures were made in the 20th century. They represent the Tao gods Lu Xing and Fu Xin...

A small and charming Burmese cast bronze Buddha in the Ava style, late 19th or early 20th century, Myanmar (Burma). The image depicts the historical Buddha, Shakyamuni, seated in ...

A heavy and well cast South Indian bronze figure of Shiva Nataraja, or Shiva as Lord of the Dance, in the Chola style, late 19th or early 20th century, India. Shiva is portrayed here in his form as Nataraja, the Lord of the Dance. An iconic and powerful image, Shiva is portrayed engaged in his dance of creation, protection, and destruction, bringing together all his aspects into one sublime form. Shiva dances ecstatically, facing the viewer with his body twisted, his long locks of hair streaming out around him, his four arms in action, with one leg raised, the other stomping on the dwarf demon Apasmara, who represents spiritual ignorance. In one hand he holds a damaru, or ritual drum...

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...