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Arab On Camel Shooting A Lion, Viennese Bronze by Bergmann, around 1900
$2,837.23
£2,136.15
€2,400
CA$3,915.80
A$4,386.57
CHF 2,281.56
MX$53,507.06
NOK 29,047.29
SEK 27,389.52
DKK 18,271.20
About the Item
Bearded Arab in traditional desert clothing with a flowing cloak and a white cloth tied around his head, his ankle-length shirt pulled up while seated and fastened with a belly band, sitting on a camel with a magnificent saddle and harness, shooting with his rifle into the mouth of a lion that has jumped up from the front onto the chest of the camel turning away and is clinging to the saddlecloth.
Patinated bronze, coloured, Bergmann signet on the right hind leg of the camel, at the top between the tassels of the cloth.
Excellent and detailed quality of the composition, very lifelike representation, as is typical for Viennese bronze art.
Manufactured ca. 1900 by Vienna Bronze Manufactory Bergmann
Bronze modeling, casting, patinated and cold painted
Dimensions:
Height: 17,0 cm / 6.69 in
Width: 16,0 cm / 6.29 in
Depth: 7,5 cm / 2.95 in
Weight: 1800 grams / 57.87 troy oz
Condition:
Very well maintained - age-related signs of wear
- Creator:Franz Bergmann (Manufacturer)
- Dimensions:Height: 6.7 in (17 cm)Width: 6.3 in (16 cm)Depth: 2.96 in (7.5 cm)
- Style:Other (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1900-1909
- Date of Manufacture:circa 1900
- Condition:Wear consistent with age and use.
- Seller Location:Vienna, AT
- Reference Number:1stDibs: LU1014445151332
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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