Biscuit "Deux Amours se disputant un coeur" after Falconet (1716-1791)

Important pair of decorative sculptures in white biscuit , featuring two women draped in the Antique style, accompanied by winged putti. One, holding a large sunflower, raises her ar...

Brown patina bronze sculpture depicting Mercury (Hermes), god of commerce, thieves and messenger of the gods, seated on a rock tying his winged heel-piece. He is wearing a petasus, a winged hat, and his caduceus is resting on the ground. This sculpture, based on a model by Jean-Baptiste Pigalle, shows a young god, naked and in motion. In a double-swivel position, he prepares to take off. The bronze, resting on a circular stepped base in griotte red marble, is signed on the terrace "Pigalle, 1745". The original of this sculpture was Pigalle's reception piece for the Académie Royale de Peinture et de Sculpture on July 30, 1744, which entered the Louvre between 1848 and 1850. Jean-Baptiste Pigalle: The sculptor of the Enlightenment A great French sculptor, Jean-Baptiste Pigalle was born in Paris in 1714. He worked on his art from an early age under the guidance of Robert Le Lorrain and later Jean-Baptiste Lemoyne. Convinced that his art was the meaning of his life, he returned to Italy in 1734 to perfect his technique. On his return, he began his "Mercure attachant sa talonnière" (1740), which enabled him to enter the Beaux-Arts. His reputation soared among the Parisian aristocracy. Mme de Pompadour took him under her wing, and commissions poured in. Juggling between the Baroque and the Classical, he painted portraits of Diderot and Voltaire, then created the famous funeral monuments...

Bust in biscuit depicting "La Pudeur", a young woman with a mischievous smile who modestly conceals her nudity. The young woman's hair is decorated with intertwined braids held in pl...

Pair biscuit sculptures of eagles. Work from the second half of the 19th century, bearing the incised mark "Mre. Imple. de Sèvres" (not guaranteed). Important pair of porcelain bisc...

After Etienne-Maurice Falconet (French 1716 - 1791) La Baigneuse (Bathing Woman) Large 29" tall sculpture of Diana at the well. Measures 8.5" in width, 8.5" in depth and stands 29" ...

After Etienne-Maurice Falconet (French 1716 - 1791) La Baigneuse (Bathing Woman, The Bather) Patinated Spelter sculpture of Diana at the well. Signed and dated 1765 Measures 6" in w...

An enchanting and classical late 19th century patinated bronze study of two cherubs wrestling over a heart, after Etienne-Maurice Falconet (1716-1791).

This exquisite alabaster sculpture is a refined interpretation of "La Baigneuse" (The Bather), originally created by the renowned French sculptor Étienne-Maurice Falconet in the mid-18th century. Known for his delicate treatment of the female form and his ability to convey grace and sensuality with subtlety, Falconet’s Bather became one of the most iconic representations of neoclassical taste in the decorative arts. The figure is depicted nude, in a moment of quiet intimacy, holding a small sphere and resting one hand on a column draped with fabric. Her head is slightly bowed, and her gentle expression evokes a sense of introspection and softness. The figure’s elegant posture, with one leg subtly bent and the weight shifted delicately to the other, creates a harmonious balance and a fluid sense of movement. Carved in alabaster, the sculpture has a luminous, velvety surface that enhances the refined modeling of the body, the finely detailed hair, and the naturalistic folds of the drapery. This material lends the figure a timeless quality, echoing the marble originals of the 18th century while bringing its own delicate glow. This piece exemplifies the neoclassical fascination with antiquity, ideal beauty, and the private moments of mythological or allegorical figures. A beautiful addition to any collection, it brings the charm and elegance of 18th century French sculpture...