"Chinoise” Sculpture by Gertrude Vanderbilt Whitney

Set of 9 architectural "BONES" sculptures on stand by Don Harvey, circa 1960's. Cast and powder coated fiberglass on ebonized wood stands. List Price is for the set of 9. Can be s...

Abstract Ceramic Figural Sculpture by Roger Capron, France, 1970s. Although he is primarily known for his tables, Roger Capron went on to create amazing sculptures later in his life.

Abstract Brutalist Nails Sculpture by Harry Bertoia, circa 1950s.

A lovely modern sculpture by 20th century Italian artist Oriani.

Modernist abstract metal and glass sculpture by Gertrude Schreiber ,Cranbrook student. Amazing visual, intricate execution, wonderful use of color form and space.

From the 1912 Vanderbilt Hotel in New York City, Manhattan, located on Park Ave. In the 20th century, the hotel business declined, and the Vanderbilt Hotel suffered foreclosure in 1935 during the Great Depression. In 1966, an investment group purchased the 54-year old structure with intentions of renovating it into a dual function office and apartment building. The top 18 floors would become studio and one-bedroom apartments while the lower floors would be offices and commercial space. “New aluminum-and-glass curtain walls are being erected to sheath the office floors, while the masonry façade of the hotel will be retained on the upper stories,” said one article. But that was just the beginning of the brutality. Penthouse apartments were being constructed on the roof, but the view was obstructed by the terracotta parapet and its massive sculptures. In June 1966 eighteen of the heads were removed, resulting in a gash in the roofline. “The heavy pieces were removed over a period of several days by a 10-man crew of the Drachman Demolition Company,” said The New York Times, “which used jack...

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

'Hibou' is a rosewood sculpture by François Galoyer of an owl. The tittle Hibou is French for owl. The sculpture captures the animals realistic appearance with some animated features...