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Early 20th Century Art Deco Sculpture entitled "Printemps" by Joe Descomps
$7,952.65
£5,750
€6,794.33
CA$10,991.76
A$12,223.57
CHF 6,414.55
MX$149,060.50
NOK 81,082.20
SEK 76,017.79
DKK 50,712.06
About the Item
An entrancing Art Deco cold painted gilt bronze figure of a naked beauty wearing an oversized coat loosely draped to show her attractive figure, the bronze with excellent colour and fine hand finished detail, raised on a marble base and signed Joe Descomps
ADDITIONAL INFORMATION
Height: 44 cm
Circa: 1920
Materials: Gilt Bronze & Marble
Book Ref: Art Deco & Other Figures by Bryan Catley
SKU: 9428
ABOUT
Art Deco Nude by Joseph Descomps
Joseph Descomps, French – 1869 to 1950 ~ Born at Clermont-Ferrand, he studied under Hiollin and exhibited figures and reliefs at the Salon des Artistes Francais of which he became a member from 1893 securing an honourable mention in 1898, a bonze medal in 1921, a silver in 1925 and gold in 1928. Descomps was elevated to the rank of Chevalier of the legion d’Honneur. Renowned for sculpting mythological and fine Art Deco streamlines figurative subjects.
The Art Deco Period: although Art Deco derives its name from the great 1925 Paris Exhibition, ‘L’Exposition Internatlionale des Arts Décoratifs et Industriels Modernes’, the term is now generally applied to the typical artistic productions of the 1920’s and 1930’s. It might best be characterised as an attempt to unite arts with industry, embracing the machine age and repudiating the old antithesis of ‘Fine’ and ‘Industrial’ art. The sources of the Art Deco movement include Egyptian and Mayan Art, Cubisim, Fauvism and Expressionism, heavily influencing the chief force underlying all Art Deco with the emphasis upon geometric patterns.
- Creator:Joe Descomps Cormier (Artist)
- Dimensions:Height: 17.33 in (44 cm)Width: 3.94 in (10 cm)Depth: 3.94 in (10 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1920
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:Seller: 94281stDibs: LU3216345665532
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Early 20th Century Cold-Painted Bronze Entitled "Veronica" by Josef Lorenzl
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A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl
ADDITIONAL INFORMATION
Height: 21 cm
Width: 15 cm
Depth: 7 cm
Condition: Excellent Original Condition
Circa: 1925
Materials: Bronze and Onyx
Book Ref Art Deco and Other Figures by Bryan Catley
Page No: 214
SKU: 8698
ABOUT
Lorenzl Veronica
Josef Lorenzl, Austrian 1892 ~ 1950
Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs.
Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014).
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Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends.
Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size.
A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920.
Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013).
From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design.
One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person.
Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses.
He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...
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Additional Information
Measures: Height: 25 cm
Width: 11 cm
Depth: 7 cm
Condition: Excellent Original Condition
Circa: 1925
Materials: Cold painted Bronze & Green Onyx
Book Ref Art Deco and Other Figures by Bryan Catley
Page No: 225
ABOUT
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