Early 20th Century Bohemian Terracotta Figure Group of Three Jews

A Small bronze figurine of two Jewish men with several stereotypical physical features commonly attributed to Jewish men: large noses, sidelocks, and beards. They are wearing caftans (kaftans) belted by wide sashes at the waist. A caftan is a long-sleeved, ankle-length coat with an open-cut at the front. Many Eastern Polish and Western Russian Jews began wearing caftans fastened with wide, oriental-style sashes in the late medieval period. The garb later spread to Central Europe, but in place of the sash, a cord was used to close the front of the garment instead. These garments were often worn by peddlers and itinerant vendors who traveled the countryside and sold goods to the public. However, old prejudices stemming from the economic and professional restrictions placed on early European Jews, along with Christians’ disdain for the professions Jews were allowed to practice, formed an antisemitic stereotype of the greedy Jew who exploited Gentiles. This canard was often visually depicted as a Jewish peddler...

A Porcelain European Jewish fur trader figurine from the late 19th century is a culturally significant artifact, reflecting the artistic and social representations of Jewish life during that period. In the late 19th century, Jewish communities in Europe were diverse and engaged in various trades and professions. Fur trading was a notable occupation among Jewish merchants in Eastern and Central Europe, contributing to the economic life and cultural diversity of urban centers. This figurine of a Jewish fur trader captures the distinctive cultural and occupational attributes through the nuances of clothing, facial expressions, and gestures. Colorfully painted and crafted with meticulous detail and skill, the figurine depicts a Jewish peddler...

This large antique porcelain figure depicts a Jewish Rabbi with a siddur (prayer book). It is a charming piece of 19th century European porcel...

W.P.A. Style Terracotta Figure's Study attributed to Frank Dobson. Amazing sculpture... unsigned but please feel free to research Dobson's terracotta studysmm Dobson, Frank (1886–1963). British sculptor, born in London, the son of an illustrator of the same name. From 1902 to 1904 he worked as an assistant to William Reynolds-Stephens. He then spent two years in Cornwall, earning his living with landscape watercolours, before winning a scholarship to Hospitalfield Art Institute, Arbroath, where he studied 1906–10. After returning to London, he continued his studies at the City and Guilds School, Kennington, then again lived in Cornwall, where he shared a studio with Cedric Morris in Newlyn. His early work consisted mainly of paintings, the few surviving examples showing how impressed he was by Roger Fry’s Post-Impressionist exhibitions (Stanhope Forbes, whom Dobson met in Newlyn, had been shocked by his modernism). He made his first carving in 1913, but his first one-man exhibition—at the Chenil Gallery, London, in 1914—consisted of paintings and drawings. After the First World War (when he served in France with the Artists’ Rifles...