Eve and the Serpent Symbolist Bronze Sculpture by Isidore De Rudder

"It is easy to understand why the rabble dislike cats. A cat is beautiful; it suggests ideas of luxury, cleanliness, and voluptuous pleasures." - Charles Baudelaire Iridescence, which changes in every angle of reflected light, is the perfect complement to a cat’s capricious nature. Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a world-class ceramics factory by this time. Zsolnay walked away with the Grand Prix at the 1878 World’s Fair in Paris for its art pottery. Under the stewardship of Vilmos Zsolnay...

Model #8190. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an opt...

Cleopatra, Art Nouveau bronze bust woman with snake by Isidore De Rudder With foundry seal Luppens & Cie, Bruxelles. Patinated bronze on a Belgian Bl...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...