Flowing Fragments Collection Sculptures, Side Table and Stool by Richard Yasmine

Los Tres Deseos sculpted stools by Pietro Franceschini Sold Exclusively by GALERIE PHILIA Materials: White onyx Dimensions: W 36cm, L 35cm, H 45cm Origin: Italy (carrara) Manufa...

After Ago side table by Richard Yasmine Materials: Foam, lightweight concrete, plaster, acrylic Dimensions: H 90.5 x W 55 x D 62cm AFTER AGO” is an...

Deseo No.2 sculpted stool by Pietro Franceschini Sold exclusively by Galerie Philia Materials: White onyx Dimensions: W 36cm, L 35cm, H 45cm Origin: Italy (Carrara) Manufacturer...

Deseo No.3 sculpted side stool by Pietro Franceschini Sold exclusively by Galerie Philia Materials: White Onyx Dimensions: W 36cm, L 35cm, H 45cm Origin: Italy (Carrara) Manufac...

From extremely detailed 3D scans of the most important classical sculptures of all times, Eduard Locota has digitally sliced and extracted the essential portion of the artwork, then ...

The sculptural group “Abstract Isometry” has been gravitating around the theme of fragmentation, slicing of the earth and plasticity. In the contemporary context, channeled almost exclusively on our natural resources, once abundant natural resources such as fossil fuel, water and even clean oxygen, become rare commodities. In the current context focused on excessive and unsustainable consumerism, the 21st century welcomes us with a Darwinian transformation for both men and nature. Evolution which leads to the development of a synthetic man living in a synthetic nature. Heavy topics as regeneration and sustainable environment are thrown into the arms of the future generations, that have not been born yet. Thus, the artist’s creations highlight the synthesis through alternative materials used, such as: synthetic marble (resin and marble dust), synthetic resin (Plexiglass), synthetic cement (Jesmonite), charcoal, wood, and so on. His works have a powerful conceptual plasticity but also physical plasticity, a concept that can be interpreted as modern works of the 21st century. Unique Because the artwork is entirely handcrafted and made to order; build process takes approximately 3-4 weeks for each artwork. Every artwork is hand-sculpted, molded and finished by hand by the artist himself. Because of this special build process, there will be small differences between every edition, thus unique, unique in the world. In addition to the artists signature on the piece of art, you will receive a “Certificate of Authenticity” signed and dated by Eduard Locota himself. Sculptural design piece, that will last for hundreds if not thousands of years. Memorable We here present you a contrasting composition with a memorable design. This extremely clean and Minimalist artwork produce the strong recognizable style of Eduard Locota that will lights up the space it will be placed in, as well as lift the eyebrows of the audience. Ultra limited edition of 19 pieces + 2AP. Acrylic glass and cultured marble.  

A true work of art. Hand drawn detail with built structure consisting of four plateaus and many pyramid structures. This piece shows some wear and has some scratches and dents but is...

Misha Kahn [American, b. 1989] A Little of This and a Little of That, 2022 Ceramic Measures: 36 x 48 x 20.25 inches 91 x 122 x 51 cm Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...