Found Object Table Top Sculpture Titled Pandemic

A beautiful and thoughtful found object sculpture titled Cage of Fear made from a vintage birdcage collaged with gingham, leopard fabric and cigar box wrappings. Inside the cage is a 3 dimensional arrangement of mixed-media objects including childrens' blocks that spell F E A R, the hand of a clock, a disturbing plastic doll that hangs from a pulley, and deer horns. The interior of the cage is a metaphor for the jail of fear we construct in our own minds, while outside the cage there remains a constant of beauty and hope. An antique shamrock paper clip at the top suggests luck, a Murano glass piece of candy and vintage brass cherub...

Mixed-media thoughtful assemblage sculpture of a leather gloved hand embellished with porcelain flowers, floral beaded adornments, and skull, provocatively holding a pink clock...

An eye catching table top frog accessory in a lovely shade of green glazed terracotta, having yellow rimmed black eyes and Made in Italy on the bottom.

Magical imaginative tabletop sculpture made from a vintage toaster having white porcelain base and metal wire appliance. Artist has created a scene of found antique folk art sheep...

A rich mixed-media collage on an antique violin having meticulously layered paper ephemera with a Japanese motife, leather book bindings, bits and piece...

An incredible eye catching piece of wall art mined from a 19th century French church. The wall sculpture is a Gothic shape having carved giltwood and beautifully painted bas relief a...

"Wings of Thunder" Contemporary Sculpture by Debbie Korbel The Artist works with Found Objects to create Ornate Abstract Sculptures Her works include Various Metals, Wood, Crystals, Resin, etc. This Oversized piece is a beautiful addition to any Home, Office or Lobby Debbie Korbel is an artist whose creativity has been applied to various media including painting and sculpture as well as writing television scripts, short stories and song lyrics...

Unknown Artist, perhaps "AG" in the manner of Louise Nevelson (American, 1899 1988), a white found object sculpture, rectangular, and ...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay ...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Artist statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamed of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer program. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Popsicle sticks by gluing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in math or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Gray and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free­ flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay ...