French Patinated Bronze Lamp Modelled as a Putto

Pair of large patinated bronze hunting dog models by Moigniez French, late 19th century Measures: height 43cm, width 58cm, depth 21cm Made in the late n...

Austrian bronze Orientalist sculptural lamp Austrian, c. 1910 Height 19cm, width 11cm, depth 7cm The impressive cold-painted bronze lamp is expressive of the taste that prevaile...

Bronze sculptural lamp by Henry Étienne Dumaige French, 19th century Measures: Height 69cm, width 28cm, depth 23cm This fine figurative lamp is by Étienne Henry...

Viennese Orientalist cold-painted bronze figurative lamp Austrian, c. 1910 Measures: Height 36cm, width 13cm, depth 16cm This fine bronze l...

A rare bronze statue of na Nymph and a clinging putto by famous French 19 Century sculptor Mathurin Moreau which was custom transformed into an oil lamp. The nymph is is holding al...

A fine pair of French patinated bronze and gilt metal figural lamps Each cast as a putto supporting a flower filled urn, raised on a gilt metal ...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A pair of gilt bronze horses each in the form of a galloping horse, raised on a faux marble rectangular plinth with rounded corners and mounted as l...