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"Galata Morente" Sculpture in Bronze, sign: F. Barbedienne Fonduer

$59,500
£44,962.19
€51,920.30
CA$83,142.27
A$92,253.35
CHF 48,324.29
MX$1,131,273.74
NOK 614,668.32
SEK 580,220.68
DKK 387,202.20
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About the Item

F. Barbedienne fonduer Ferdinand Barbedienne (6 August 1810 – 21 March 1892) was a French metalworker and manufacturer, who was well known as a bronze founder. The son of a small farmer from Calvados, he started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniatures of antique statues from museums all over Europe, thus democratising art and making it more accessible to households.[2] From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects. With the outbreak of the Franco-Prussian war in 1870 the firm briefly had to switch to cannon founding owing to the shortage of metals but resumed business afterwards. Following Barbedienne's death in 1892, he was buried in the Père-Lachaise cemetery and the firm was carried on by his nephew Gustave Leblanc until 1952. Among the principal artists reproduced by the firm were Antoine Louis Barye and Auguste Rodin. The Dying Galata (Italian: Galata morente) is an ancient Roman marble copy of a now extinct Greek statue, probably made in bronze, which was commissioned between 230 and 220 BC. C. by Attalus I of Pergamon to commemorate the victory over the Galatians. The base on which it currently stands was added after its rediscovery. The identity of the sculptor is unknown, but some suggest that Epigonas (Epigonus), the court sculptor of the Attalid dynasty, may have been the author. The statue shows a dying Celt with great realism, especially in the face, and it is possible that it was painted. It represents a warrior with Gallic-style hair and mustache. The figure is completely nude except for a torc around the neck. He appears depicted fighting death, refusing to accept his fate. The statue serves as a reminder of the Celtic defeat, thus showing the superiority of the people who defeated them, and as a memorial to the bravery of such worthy opponents. If we do not take into account the fact of the naked representation of heroes in Hellenistic art, it could be evidence that corroborates the accounts of the fighting style of the Gauls. Historians say that the Gesates fought naked in the battles of the Po Valley in Italy, during the Cisalpine Wars. Julius Caesar tells in his account of the wars in Gaul that the Gauls went into combat naked, except for their weapons, and Diodorus Siculus relates other similar events:
  • Creator:
    F. Barbedienne Foundry (Manufacturer)
  • Dimensions:
    Height: 15.36 in (39 cm)Width: 27.56 in (70 cm)Depth: 12.6 in (32 cm)
  • Style:
    Classical Roman (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1870
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Ciudad Autónoma Buenos Aires, AR
  • Reference Number:
    Seller: SC-321stDibs: LU6785230856452

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