Haniwa Style Figures Unglazed Terracotta, a Set of Two

Japanese Tumulus Period Unglazed Aged Terracotta Haniwa of a Woman’s Head, 3rd/4th Century Tumulus Period (AD 250-552) Haniwa means “circle o...

Japanese Haniwa terracotta head of a warrior, Haniwa figures are Japanese terracotta funerary figures that accompanied the dead buried in early Japan, ...

Lot of two Indian terracotta figures. Lucknow, India, 19th Century. Painted terracotta figures, depicting a female pottery seller and a male flow...

DA tall, slim terra cotta sculpture featuring two figures in an embrace. Wonderful rust finish over entire surface; illegibly signed to base. Large-scale piece that creates a dramati...

This intricately styled pair of terracotta figurines is sculpted in the style of Japanese Dogū sculptures of the Jōmon period (10th-4th century B.C.). Reminiscent of Pre-Columbian redware figures, Dogū ceramics are known for their primitive abstract rendering of the human form and decorative geometric etchings. This pair of ceramic figurines...

Set of four Borghese terracotta figures representing the Four Seasons, each modeled as a putto with seasonal motifs. Rich red clay with gilt wood bases adds warmth and contrast. A de...

Lot of three Indian terracotta processional figures. Krishnanagar, Bengal, 19th Century. Painted terracotta figures, depicting two males and one female musician...

Double faced terracotta sculpture of mythological figures.

Great sample of the very well known jewish artist Susi Selma Singer.We think these pieces were made in USA after she emigrated from Austria her native country.

A pair of Orientalist terracotta figures by Johann Maresch Austrian, Late 19th Century Man: height 49cm, width 20cm, depth 15cm Woman: height 48cm, width 20cm, depth 15cm Depicting a woman and a man of similar appearance, age, dress, and in a similarly spritely, lively, and engaging manner, these figures were made by Johann Maresch in the late nineteenth century, c.1880. A skilled Austrian maker, similar in output to the more famous Friedrich Goldscheider, Maresch gave these figures a tangible vitality and energy to their representation, showing them as hard-working yet undaunted and undimmed by their labours. Their manner of dress is similar, even down to the similarities in the colours used to paint them. She carries a bright orange-red urn...