Important Modern Opaline Glass Vase by Ermanno Nason for Cenedese.

The finest examples of vases produced in collaboration between Edmond Lachenal and Emile Decoeur date from 1901-1904. This vase, with the word “original” marked on its underside, ind...

PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production for commercial porcelain manufacturers, Dalpayrat’s ey...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

The Venus of Willendorf if she were a pot; this diminutive size is perfectly suited for holding in your hands. This pot is meant to be caressed. Its rather buxom top narrows at the w...

A true sample of mastery of glass art. Created by one of the finest glass blowers ever Pino Signoretto who worked with the top glass blowers in his early years and opened his own studio in the mid-1980s in Venice. Heavy glass finely decorated with gold specks and surrounded with free form glass slags...

Vetro calcedonio vase by Napoleone Martinuzzi for Venini Murano ca. 1930s. A very rare Murano art glass vase attributed to Napoleone Martinuzzi around 1930. Manufactured by Cappelin in the 1920s or Venini in the 1930s. Thin hand blown malachid (calcedonio) glass with curved handles on each side. Similar to Venini model number 3255. This model was produced in different glass types. The vase is not signed. It was bought from a very famous collection in the 1990s. Reach out for more information on the provenance. Measures: Height: 9.06" (23 cm) Diameter: 6.3" (16 cm) Napoleone Martinuzzi (1892 -1977) was an Italian sculptor and designer who left his mark on Italian glass art in particular. As graduate of the Academy of Fine Arts in Venice, he worked with Ca' Pesaro artists and exhibited at Ca' Pesaro in 1908. In the 1920s he was appointed as Director of the Murano glass Museum. In 1925 he founded Venini & Co. with Paolo Venini and others, of which he took over the artistic direction. For Venini he created stunning creations in soffiato, opaque and pulegoso glass that received international recognition with many awards. His creations of animals, fruits and succulent plants gained international success too. The Cenedese Glassworks , Seguso Vetro d'Arte and Pauly & Co were his last creative stations. Literature Reference: Marino Barovier, Napoleone Martinuzzi Venini 1925 - 1931, Milano 2013, pages 159, 314, 330 (shape) and 323, 328 (glass technique) Franco Deboni, Venini Glass Volume 2, Turin 2007, page 80 (glass technique) Marina Barovier, Napoleone Martinuzzi Vetraio del Novecento, Padua 2001, page 27...

Beautiful Italian hand blown Scavo Murano glass vase, designed by Franco Moretti in the 1980s. Measurements: 15.5” high, 8” wide and 6.5” deep.

A Macchie Art Glass Vase by Artisti Barovier Attribution, Murano ca. 1920s A rare Murano art glass vase manufactured most probably by Artisti Barovier around 1920s. Thin opaque whit...