Japanese Late Edo Period Life-Size Imperial Bunraku by Nagoshi Kenji, ca. 1850

Japanese Edo Period Dragon God Ningyô, Ca. 1820 DIMENSIONS Height: 26 inches over all Minor wear in textiles. Fine antique condition ABOUT Musha-Ningyô (warr...

Japanese Edo Period Musha Ningyo Seating Samurai, Ca. 1800 DIMENSIONS Height: 16 inches Width: 19 inches Depth: 10 inches ABOUT Musha Ningyō (武者人形)- Literal meaning: "Warrior Dolls...

Japanese Two-Panel Phoenix Screen, Edo Period, Ca. 1850 Japanese Edo Period (1603-1868) DIMENSIONS Height: 24 inches Width: 28 inches

Japanese Meiji Period Elaborate Bunraku Puppeta. 19th Century Meiji Period (1868-1912) Minor wear to textiles, fine antique condition, Original Bamboo display stand. DIMENSION Height: 33 inches Width: 18 inches Depth: 9 inches ABOUT Bunraku (puppet) depicting the warrior Minamoto Yoshistune his head carved of wood and covered in a fine white gofun with painted details, face of a handsome youth with trigger mechanism allowing for the eyebrows to raise and lower and the eyes to shift from side, is wearing military armor with signature dragon on his breastplate ,brocade patterning of his thick obi tie, sumptuous silk brocade kimono and brocade hakama trousers with the Minamoto Clan pattern, silk tabi socks...

This is a small stone statue believed to have been made in Japan during the mid to late Edo period (18th to 19th century). The figure represents "Jizo Bosatsu" (Kṣitigarbha Bodhisatt...

This is a wooden Jizo Bodhisattva statue made in the late Edo period in Japan. It is thought that they were not carved by Buddhist sculptors living in central cities such as Kyoto or...

An exceptional and wood statue of Buddhism Guardian Seitaka Doji from Japan circa Edo period (1603-1868), likely the earlier part of 17th century. One of two chief attendants of Fudou Myouou (the other being Kongara Doji), the name of Seitaka Doji is a transliteration of Sanskrit "Cetaka", meaning servant, slave, and he is said to personify expedient action. He is most commonly found on the right side of Fudou, together with Kongara Doji on the left, forming the Immovable triad, Fudou Sanzon, the terror of evil doers. Seitaka largely adheres to the iconography of a wrathful youth with fleshy body and face, skin in the color of a red lotus, has his hair tied in five knots, and holds a vajra in his left hand and a vajra-club in his right hand, but the actual artistic representations of him in Japan do...

This is a stone statue of Kannon Bosatsu (the Bodhisattva of Compassion), believed to have been made in Japan during the mid to late Edo period (late 18th century onward). The materi...