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Large carved stone rosette - 18th century

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Venus Pudica (Medici-type) - 18th century, Italy
Located in Bruxelles, BE
Monumental sculpture representing the Venus Pudica (Medici-type) 18th Century Italian (Rome) White marble Based on a model from Antiquity, the Medici Venus, currently in the Uffizi ...
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Antique Early 18th Century Italian Grand Tour Figurative Sculptures

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Russian Carved bone table box - 18th century
Located in Bruxelles, BE
Russian Carved bone table box Carved bone table box North of Russia, 18th century 12,5 x 23,2 x 7 cm Rectangular box with a wooden core in bone veneer...
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Antique 18th Century Russian Louis XV Decorative Boxes

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Bone, Wood

Large Hexagonale Base of Pilaster in Burgundy Stone, Burgundy, 15th Century
Located in Bruxelles, BE
Large base of molded hexagonal pilaster in burgundy stone carved with vines, grapes and rosettes in high relief. Burgundy, 15th century 28 x 63 x 30 cm Provenance : collection De...
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Antique 15th Century and Earlier French Gothic Architectural Elements

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Large Terracotta Relief - Lombardy, First Half of 17th Century
Located in Bruxelles, BE
Large Terracotta relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta 91 x 85 x 11,5 cm This event in the early life of Christ is recounted i...
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Antique 17th Century Italian Baroque Figurative Sculptures

Materials

Terracotta

Large Cast and Chiseled Bronze Plaque - Saint Sebastian, Rome 17th century
Located in Bruxelles, BE
Large Cast and Chiseled Bronze Plaque Saint Sebastian after the model by Guido Reni (Capitoline Museum) Rome, 17th century Large rectangular bronze plaque depicting the martyrdom of...
Category

Antique 17th Century Italian Baroque Figurative Sculptures

Materials

Bronze

Cerberus, Italy, 17th Century
Located in Bruxelles, BE
Cerberus Black painted stone Italy, 17th century Measures: 80 x 69 x 36cm (one head missing) Cerberus, cruel monster, fierce and strange, Through his wide threefold throat barks as a dog Over the multitude immers'd beneath. His eyes glare crimson, black his unctuous beard, His belly large, and claw'd the hands, with which He tears the spirits, flays them, and their limbs Piecemeal disparts (Dante, Inferno, Canto VI). Cerberus figure seated, in his role of ferocious guardian of the underworld; he shows a nervous musculature, an adherent skin which reveals the ribs, long and robust limbs; his heads are broad and the eyes set well apart. Painted in black to amplify his menacing look, the infernal guardian is depicted with his famous attributes, writhing his heads, growling and barking furiously. Cerberus, in Greek mythology, was the monstrous watchdog of the underworld – also known as the “hound of Hades” – preventing the dead from leaving, and making sure that those who entered never left. A child of Typhon and Echidna, he was part of a monstrous family, which included Orthus, the Lernaean Hydra, and the Chimaera as well. Only on three occasions Cerberus was tricked by visitors of Hades: Heracles did it with his strength, Orpheus with his music. In "The Inferno", Dante places Cerberus as the guardian of the third circle of Hell. With his three mouths, Dante saw Cerberus as a beast that was synonymous with the sin of Gluttony. Virgil gets past the monster by throwing mud in his three mouths, temporarily choking him. Very rare are the representations of Cerberus in ancient statuary...
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Antique 17th Century Italian Renaissance Figurative Sculptures

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Stone

Cerberus, Italy, 17th Century
$19,063 Sale Price
25% Off

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Located in Buisson, FR
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18th Century Italian 'Florence Fragment' with a Chalcedony Rosette
By Interi
Located in Dublin, Dalkey
17th century Italian fragment with a chalcedony rosette. It has antique hand-written Italian inscriptions on the base. The chalcedony mineral mimics the color and texture of the distressed wood fragment. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftmanship, and history of sculptural fragment. The story and history of this piece and Interi's collection of Florence fragments...
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