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Large Gilt Bronze Art Nouveau Maiden, "La Nuit", French, E. Dagonet, ca. 1890

$6,500List Price

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Allegorical French Art Nouveau Gilt & Patinated Bronze Lamp w/ Bust of Maiden
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Offering here an antique bronze figure of a nude maiden, signed Berndorf. Berndorf was a German foundry started in the mid-19th century. The figure is richly patinated in a warm brow...
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Art Deco Bronze & Alabaster Nude Maiden, Signed, Sienna Marble Base, ca. 1920's
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This sexy young nude maiden displays two mediums used to create a sculpture, cast bronze and hand carved alabaster. The white alabaster brings the statue to life, and is a nice addition to any statue of a female. The beautiful nude has flowing hair and the body reveals just enough to create a sexy pose. Mounted on a sienna marble base is always a plus, and not often used for sculpture. Artist signed "Vale", and also bearing the foundry signature and seal of Henry Schumacher...
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French Art Nouveau Bronze Figure of a Beautiful Young Girl by Emmanuel Villanis
By Emmanuel Villanis
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This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...
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Life Size Art Nouveau Bronze Bust of a Woman Leopold Savine French (1861-1934)
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For the art nouveau lover, or anyone who loves beauty, here is a life size bronze beautifully cast young maiden finished in a warm rich patina. The young woman's countenance is so l...
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Emmanuel Villdnis, ‘Nelly’, French Art Nouveau Patinated Bronze Bust, ca. 1890
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'La Sémeuse', Large Art Nouveau Bronze Figure After Oscar Roty, Vienna, Ca 1899
By Hans Schörk
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A young woman in a long dress with short sleeves, softly enveloping her body, with a scarf covering her hair and falling well over her face to protect her from the burning sun, walking across the field at a leisurely pace, holding out her apron with the seeds spread out in front of her with her left hand and making a sweeping gesture with her right. On a narrow, elongated natural plinth with rounded corners, with the artist's signature ‘Schork 99’ incised on the side, as well as the Goldscheider manufactory's pressed stamp, pressed model number and incised monogram ‘AH’ on the back behind the figure. This motif is particularly well known in France, where it adorned all French franc coins and postage stamps for many years and was continued in a stylised form on all cent coins of the euro after 2001. Louis Oscar Roty (1846 - 1911) This sower is very familiar to the French: she was depicted on the fifty-centime coin and on the one-, two- and five-franc coins until 2001, when a stylised version of her appeared on the ten-, twenty- and fifty-centime coins of the euro. The figure dates back to 1887, when Roty designed a prize medal for the Ministry of Agriculture, a project that was not pursued. When the Minister of Finance commissioned new coins in 1896, Roty was among the selected artists. He drew on the Sower of 1887, but transformed his robust farmer into a slender Marianne, who wore the Phrygian cap of freedom. The traditional profile of the Republic was abandoned in favour of a more active, standing figure. This effigy was criticised, but generally very well received: ‘The seeds she generously throws into the earth are the countless ideas that may one day germinate and flourish when we are no longer here’ (La Liberté, 8 October 1898). The gesture is more symbolic than realistic – we do not sow against the wind, which nevertheless makes the hair behind the sower flutter – but it makes the composition more dynamic. Originally, ‘The Sower’ was used on the fifty-centime to two-franc coins introduced in 1897 and 1898, before appearing on postage stamps in 1903. It is thus the most widely circulated work of art in France. Although not included in the Musée d'Orsay's medal collection, this wax drawing on slate, typical of the technique of a medallist, is one of the most beautiful pieces and demonstrates the virtuosity of Roty. (Musée d'Orsay, The Collections) Design by HANS SCHORK...
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