Marble Sculpture and Its Original Column, 19th Century

This corner fountain has an architecture and decoration in Carrara marble, and in Statuary Carrara for the central figure of the young child. It offers...

This beautiful and original fireplace was made in the second half of the 19th century in Carrara marble. Originally put in an appartement in Tarare, near Lyon in France, it is very ...

This statue, titled Young Girl with a Conch, was cast by the Ducel Foundry after a work by Pierre Loison in the mid-19th century. The sculptor Pierre Loison (or Loyson) (1816-1886) began his career as an apprentice to a clog maker. Noticed for his talent, he was able to study sculpture in the studio of David d’Angers and at the École des Beaux-Arts in Paris. He received numerous official commissions and exhibited in nearly every Salon from 1845 until 1886, the year of his death, as well as at the 1855 Universal Exhibition. The Ducel Foundry was founded in 1800 in Touraine. It was successively managed by three generations of the Ducel family: Jacques, Jean-Jacques, and Jacques-Gustave. The company had a store in Paris and gained recognition by participating in various international exhibitions held in the second half of the 19th century. It was purchased by the Val d’Osne Foundry in 1878. This sculpture depicts a young girl seated on a rock by the water’s edge. She may represent a naiad, a deity associated with rivers and springs. Her posture conveys movement, as if she is about to enter the water: her face and torso lean forward, she holds onto the rock with her left hand, and in her right hand, she grasps a conch shell, which could emit a jet of water. A drapery covers her waist, and both legs extend toward the water. The statue bears an inscription on the base indicating its origin: “JJ DUCEL...

This exceptional monumental vase in porcelain of Paris, conceived in the spirit of the Sèvres Manufactory’s productions, is quite characteristic of the Napoleon III style . The long neck of the shape is extremely rare, as well as the gilt bronzes’ richness of ornamentation. Its dimensions and its important bronze mount indicate a ceremonial piece, of supreme luxury, comparable to those the Manufactory exhibited at the World's Fairs. Evoking the aristocratic art of the Ancien Regime in many ways, this vase pays tribute to the refinements of the 18th century, and could have been commissioned to decorate the mansion of a 19th century personality. Indeed, the “Celestial blue” background, embellished with gold arabesques, is characteristic of the porcelains from the Royal Manufactory of Vincennes as early as 1753, which became the Sèvres Manufactory. It is a famous blue, difficult to obtain, which served to decorate the first service delivered to Louis XV. The lively shapes of the bronze base also evoke the art of the ornamentalists in Louis XV’s time, such as Jean-Claude Duplessis or Gouthiere, who were in charge of drawing gilt bronze mounts for China porcelain. The bronze mount of our vase is hence very close to the Duplessis’ ornementations. The two espagnolettes, with sheathed busts of women...

A big sculpture in white Carrara marble, late 19th century or early 20th century, Napoleon III. A big sculpture in white Carrara mar...

Finely carved Italian Carrara marble Title: Amore E Psiche Artist: Pasquale Romanelli (1812-1887) Origin: Italian Date: 19th century Signature: Signed Prof. P. Romanelli/Fire...

A stunning and extremely high quality French 19th century Neo-Classical st. white Carrara marble statue titled Not Wanting To Hear Love. The statue is raised by a oblong base with a ...

Carrara marble sculpture "Schiava" attributed to Giacomo Ginotti (1845-1897). Italy, late 19th Century.