Marble Sculpture the Thinker, 21st Century

Pair of hand-carved male lions out of marble, standing on square bases. The lions are in a mirrored posture, each one placing his paw on a ball. They are depicted with an expressive ...

Marble horse head on a base. The eyes are torn open and the mouth is open. The ears as well as the nasal openings are very elaborate. The surface is very fine. Handmade after "The head of the horse of...

Planter out of white marble, standing on a square plinth with a conical foot and a large dish with gadrooned wall and cymatium frieze on the rim.

Large oval bathtub made of marble with profiled base and ring decor on the smooth wall. The rim of the basin is slightly curved.

Rabbit- is part of our marble animal family made in Carrara/ Italy. If placing it alone or with a companion, it is definitely an eye-catcher! Its special material, Paonazzo Marble, ...

Duck- is part of our marble animal family made in Carrara/ Italy. If placing it alone or with a companion, it is definitely an eye-catcher! Its special material, Paonazzo Marble, di...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

Large 19th century neoclassical carved marble sculpture of the three graces after Canova. A Beautiful execution of one of Canova's Masterpieces. Ours amazingly accurate to the sculpt...