Nino De Atocha

El Niño Jesús (Baby Jesus) Guatemala, Spanish Colonial Period (17th–18th century) Wood, gesso, polychrome, and glass eyes This expressive sculpture of the Christ Child was crafted i...

An exquisite Spanish Colonial carved wooden figure of the Infant Jesus ("Niño Jesús"), from Guatemala. This devotional figure is finely detailed with a lifelike expression, large bro...

Single dad dog family! Great carved wooden dogs from Guatemala. Anatomically correct details on faces and bodies! Dad measures 27x6.5x16.75H, female measu...

An expressive and finely crafted Niño Jesús (Christ Child) figure from 19th-century Guatemala, carved in wood with polychrome decoration and inset glass eyes. The sculpture depicts the Infant Jesus with chubby cheeks, rosy complexion, and a serene, soulful gaze. Above the figure is an original metal "Gloria" banner, ornamented with harp motifs, symbolizing the heavenly celebration of Christ’s birth. The craftsmanship reflects a blend of Spanish Colonial tradition and local Guatemalan artistry, characteristic of devotional figures created for home altars and parish use. Makers mark RB...

A very stylish iron work sculpture of Christ hanging on the cross in the manner of Regardt van de Meulen and dating from the 20th/21st century. The crucifix stands on a rectangular w...

A rare set of eighteen Blanc de Chine Style Enameled - Glazed Ceramic Arhat, also known as Luohans, the disciples of Buddha, each bearing the mark and style of the Chinese maker Zeng Longsheng. The Eighteen Arhats (or Luohan) (Chinese: ????; pinyin: Shíba Luóhàn; Wade–Giles: Shih-pa Lo-han) are depicted in Mahayana Buddhism as the original followers of Gautama Buddha (arhat) who have followed the Noble Eightfold Path...

A quite wonderful Mexican Day of the Dead (Dia De Los Muertos festival held throughout Mexico) La Catrina symbolic skeleton figure. La Catrina is the festival’s most recognizable image/figure. She is the model of a high-society woman who has met Death, her maker. She represents something between the fear induced by her skeletal form and the revelry exhibited by the comical way she is typically portrayed, making her a perfect symbol of the Mexican holiday. She often appears in paintings, window displays, and costumes all around Mexico during the Day of the Dead festivities. La Catrina was originally conceived in the early 1900s by newspaper illustrator and printmaker José Guadalupe Posada...

Busto de niño sonriente Circa 1.920, de Desiderio da Settignano sobre la divina gracia de la infancia.