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Orientalist Cold Painted Vienna Bronze Boy on Camel by Franz Bergmann, ca. 1900
About the Item
This Orientalist bronze was done by Franz Bergman and does bear his signature. Meticulously cold painted and highly detailed make this one of his best examples. The camel and the boy are truly realistic. Securely mounted on a rich green marble base, with a nice polished edge, enhance it the look. A fine example from a great and well regarded Vienna foundry.
- Creator:Franz Bergmann (Maker)
- Dimensions:Height: 10 in (25.4 cm)Width: 9.25 in (23.5 cm)Depth: 5.5 in (13.97 cm)
- Style:Moorish (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1900
- Condition:Additions or alterations made to the original: We purchased this bronze as shown, on this beautiful marble base. We think the base is not original, but we also feel it is a fine addition, however if you wish you can remove it from the base by just taking out the screws that hold it. Wear consistent with age and use.
- Seller Location:Petaluma, CA
- Reference Number:1stDibs: LU879929011622
Franz Bergmann
There were many bronze foundries operating in Vienna in this period, but it was Bergman’s which became the most celebrated, working with a number of celebrated Viennese sculptors at the turn of the 20th Century, such as Bruno Zach, to produce designs for his famous bronze figures. Bergman bronzes are especially famous for having utilised a technique for decorating the bronzes called cold painting. Cold painting as a technique developed in Vienna in the late 19th Century, and involved the application of several layers of paint added to the bronze after firing. It was used to make fashionable collectors’ items. Bergman figures came in three main forms: animal figures, Orientalist sculptures, and erotic figures in the Art Nouveau style. His animal figures were often whimsical and humorous, and often satirical. They have become highly sought-after collectors’ items today. Bergman’s Orientalist sculptures are equally highly sought-after. He was producing these figures at a time when interest in the exotic lands of the Middle East and North Africa was at its peak among Europe’s artists and buyers.
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