Pair Ming Dynasty Glazed Pottery Dignitary Figures

A Pair of Chinese Enameled Sancai Glazed Pottery Attendant Figures Representing Dignitaries. Ming Dynasty Period. Circa 1600AD Dimensions; 23 x 5.5 x 5.25 inches (58.4 x 13.7 x 13.3 ...

Tang Dynasty (618 - 907) Sancai glazed pottery horse TL Tested The cream-glazed horse is naturalistically modelled standing on a rectangular base, with the mane, tail and hooves highlighted in amber glaze. The head is gracefully curved to the left, with a green and amber glazed saddle and blanket and foliate-shaped plaques detailed with moulded toads suspending from the trappings. Measures: Height: 14.24 Inches (36.2 cm) Width: 15.5 Inches (39.35 cm) Depth: 6 Inches (15.2 cm) Provenance: An English private collection, acquired in Hong Kong in the 1980s A Certificate of Authenticity will accompany this item along with a lucite base. Condition; Excellent with one repair to right side saddle blanket. Some remaining frustrations throughout with areas of oxidation and a fine craquelure throughout. A formidable piece that presents beautifully. Notes: The present sancai horse...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

This imposing figure is the head of an Arhat, a Buddhist devotee who has attained enlightenment, also called a “Luohan.” The eighteen original Arhat are the personal disciples of Buddha and the guardians of Buddhist adherents. Each is represented with a unique disposition, posture, and distinctive symbol. This exquisitely formed monumental ceramic Arhat dates to the Ming dynasty (1368-1644) and has likely been separated from its original full body sculpture...