Pair of French 19th Century Neoclassical Style Obelisks

A striking French 19th century Neo-Classical st. patinated bronze and ormolu statue of Mercury, possibly by F. Barbedienne. The statue is raised on i...

A striking true pair of French 19th century Neo-Classical st. black Belgian marble and ormolu statues of Cleopatra and Semiramis, signed Bouret 1874. Each statue is raised by an eleg...

A striking and high quality pair of French 19th century Neo-Classical st. ormolu, black Porphyry and fossilized marble statues of Minerva and Hermes. Each statue is raised by a beaut...

A lovely French 19th century plaster neoclassical st. statue of a maiden. The statue is raised on a mottled platform with concave front sides. The maiden is draped at her hips in a classical fashion. One hand holds her garment up, and the other is raised above her head. Her hair is gathered up and she wears an upper arm bracelet...

Pair 19th Century French Monumental Obelisks. Exquisite design, must see photos.

This is an assembled pair of very early 19th century English Staffordshire Pearlware Obelisks that have been fitted as lamps. Minor restorations have been made to the obelisks over t...

A pair of Russian neoclassical style obelisks of malachite. Square, tapered shafts on a raised panel stepped base. Great color to malachite. One obelisk has a slight 'lean' to the up...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...