Pair of French 19th Century Patinated Bronzes, Signed Bulio

A wonderful and very detailed pair of French 19th century patinated bronze statues. Each is raised on a square base with the word...

A sensational and very high quality French 19th century patinated bronze of a smiling Psyche signed by E. Delaplanche and cast by the renowned Barbedienne foundry. Psyche is raised b...

A lovely and small scale true pair of French 19th century patinated Bronze busts. Each Bronze busts is raised on a circular mottled socle pedestal. The elegant maidens above are dres...

A charming and very high quality French 19th century patinated bronze statue. The statue is raised by an oblong shaped base with ...

Jean Bulio, bronze statue of Léon Gambetta, Prime Minister, France, 1930. Work signed on the back by the artist. Small signs of the time. We guarantee adequate packaging and will sh...

Accessorize a man's office or desk with this elegant antique bronze bird composition. Crafted in France circa 1895, the avian sculpture features a partridge or grouse standing on roc...

Place this large bronze bull sculpture in an office or a desk. Crafted in France, circa 1860 and beautifully executed, the patinated bovine...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...