1830s Figurative Sculptures

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

Pair of Italian bronze figural cachepots with decorative grapevines, fruit trees, floral swags and gadrooning motif, Early 19th Century. Cachepot...

One of the most famous models from the Wiener Goldscheider manufactory: A depiction of the dancer Niddy Impekoven (1904-2002) during her dance ‘The Captive Bird’, which she performe...

Meissen, hard-paste porcelain, circa 1738-1740. The Artist The Meissen manufactory near the city of Dresden was founded by Augustus II (1670-1733), King of Poland and Electoral of Saxony, in 1710. It was the first factory in Europe to succeed in making white hard-paste porcelain. The early years of the Meissen production were focused on creating copies of Chinese porcelain. It was only when Kaendler began to work at Meissen in 1731 that the manufactory would break free from the influence of Asia and produce porcelain of true European character. The Painting A sculptor by training, Kaendler took over the direction of the manufactory in 1733. He is considered the key figure in the development of Meissen and the individual behind the transformation of the factory’s porcelain during the 18th century. Kaendler demonstrated his artistic ability by creating a variety of porcelain groups including the Italian Commedia dell’Arte, Pastoral and Crinoline groups, and Cris de Paris, which were met with widespread acclaim and made Meissen famous throughout all of Europe. Soon these porcelain figures would be used extensively alongside vases and other ornaments to decorate interiors. Provenance The themes of fête galante, pastoral idylls and masquerade themes, created by Jean-Antoine Watteau (1684-1721), and then developed further by Francois Boucher (1703-1770) and Jean-Honoré Fragonard (1732-1806), depicting amorous scenes with dancers, women and shepherds engaged in frivolous pursuits, spread all over Europe during the first half of the 18th century. This is due to the French engraver Gabriel Huquier (1695-1747), who dedicated himself to images and engravings after Francois Boucher and Juste-Aurele Meissonnier (1695-1750), who fostered the concept of Rococo style, that brought about the new trend in decorative arts. In 1738, Kaendler introduced one of his figures in pastoral costume with the Handkuss (Hand-kiss) scene under a tree. For the shepherd lovers’ scene, the German sculptor drew his inspiration from Boucher and Watteau. Since the 1730s, the Meissen manufactory has been providing Watteau’s engravings...

A good sized 19th Century Classical Grand Tour Bronze group of Ariadne And The Panther, modelled with Ariadne reclining to the left while her head is looking to the same side, with h...

This exquisite 19th-century Italian sculpture is a finely carved representation of the iconic Uffizi Wrestlers, a classical subject celebrated for its dynamic portrayal of two wrestl...

Pair of French lead figural boy and girl foliage garden statues standing on circular molded bases. Early 19th century.

A pair of hand crafted wood and gilt gesso overlay baroque display stands (ideal for clocks or small statues and busts), each with applied harleq...

Scottish brass and nickel silver horse hobble with an eagle heads horse shoe handle and resting on the faithful servant creature Bide a Blink. Signature...

Product Description: Artist: Johann Heinrich von Dannecker (1758-1841) Title of the Sculpture: "Ariadne on the Panther" Material: Carved from fruitw...

Portrait bust of a lady of the Biedermeier period. The bust was most probably modelled in plaster using the impression of the death mask. Signed on the ...

A dancer in Venetian costume striding forward: a black, tightly laced corset with a wide peplum, in which she has tucked a purple lace shawl that she holds to one side with an outstr...

A superbly carved early C19th `Grand Tour` marble sculpture of the crouching Venus in good scale. The nude goddess half-kneels on an integral naturalistic base, her arms crossed in f...

Christian Daniel Rauch (1777-1857), very fine bronze showing the standing figure of Goethe in his typical thinking pose, wearing his 'Hausrock' ...

A fine 19th century patinated bronze sculptured titled 'La Priere' or 'the prayer' signed for Jean-Louis Nicholas Jaley, and dated 1831. It is also fully signed by the famous fondeur...

This rare Italian plaque from the early 1800s is an extraordinary work of art, featuring a stunning combination of semi-precious hardstones and solid silver. Measuring 28 x 28 cm, th...