Qing Dynasty Hand-carved Lacquered and Giltwood Guand Di Figure

Pair of early giltwood book stands carved as doves mounted upon orbs, from the late 17th or early 18th century. Nice large scale. Books are laid open across the backs of the doves' w...

Italian 18th century hand-carved Corpus Christi, in original paint, or in some small areas early paint. Note: Original/early finish on antique a...

Massive hand-carved and gilded Italian twelve arm chandelier newly wired. Giltwood garland hand-carved around its gilded and gray-green painted fluted body. Restored with twelve newl...

Massive hand-carved and gilded Italian twelve arm chandelier newly wired. Giltwood garland hand-carved around its green painted and gilded fluted body. Restored with twelve newly for...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China. Well carved form a single section o...

A Chinese Qing Dynasty period hand-carved wooden temple corbel from the 19th century with detailed figures and custom base. Created in China during the ...