Sleeping Cupid Italian Marble

This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...

These stately and imposing lions each recline on a rectangular base, their splendidly carved faces and paws rendered in fine detail, their tails wrapped around their haunches. Caught in repose, the lions wear wise, almost pensive expressions, but Wedgwood's masterful rendering of their musculature hints at the power and ferocity of these magnificent creatures. This work is executed in black basalt...

One of the only known sculptures rendered in Blue John to exist in the world, this extraordinary George III panther exemplifies Georgian sophistication. Georgian — and later Regency — aesthetics revived classical themes of the ancient Mediterranean and Near East. With a proud stance, gaping jaw and unyielding gaze, the stately panther closely resembles the grand ancient Roman panthers often carved from marble as trapezophoros table supports. The regal cat rests atop a plinth, also made of Blue John, with Siena and Ashford marble detailing. The intrinsic and richly hued mineral inclusions of the Blue John replicate the textures and colors of the animal’s fur. The rare stone is a variety of natural calcium fluorite found exclusively in Derbyshire, England. It was first discovered in the early 18th century, but its mining did not being until circa 1760. Blue John was a wildly popular material in the decorative arts during the Georgian and Regency...

In this expertly rendered black basalt bust, Mercury, the fleet-footed Roman god of commerce, communication and transport, is depicted in a winged h...

Marble statue in the style of François Duquesnoy. We have a similar statue available of "Sleeping Cupid" available as a gorgeous pair. See other listing. Please note, the marble p...

This marble figure of a sleeping child was crafted around 1800 in the style of François Duquesnoy, a sculptor active in Italy in the early 17th Century....

A charming Italian 19th century white Carrara marble statue of sleeping Cupid. The statue is raised by a terrain designed base where the richly sculpted Cupid sleeps. He lays on a wonderfully executed blanket with his head resting gently on a rock. He holds his bow and quiver...

Italian School 'Cupid Sleeping on a Bed of Flowers', circa 1928, carved marble sculpture depicting a recumbent cupid holding arrows and a partial box, signed and dated to right lower...