Small Sculpture of a Nude Boy on Malachite Base, Benjamin Schlick Mid-19th Cent

An original French Art Deco bronze sculpture of a nude dancer with a veil by Armand Lemo 1881-1936 An exceptional and rare French Art Deco statue showcasing a polychrome figure of...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

French late 19th century spelter sculpture by Hippolyte Moreau fitted with original 1 7/8" thick rouge griotte marble base. Hippolyte was one of the famous Moreau brothers, all of whom were sculptors. He was born in Dijon France in 1832 and died in 1927. This statue, in a warm chocolate brown patina depicts a diaphanously dressed woman with flowing scarf overhead and winged cherob at her side resting on the crest of a wave and shell. Hippolyte Moreau exhibited in the Salon des Artistes Français at the turn of the century and won a medal at the Universal Exposition in 1878 and another at the 1900 World Expo. Most of his works are preserved in the Museum of Fine Arts in Dijon. The light beige pedestal...

Hand carved white alabaster sculpture of a nude woman reclining inside a clam shell with three winged putti carrying her aloft from shell laden waters. Signed to verso by the Italian...

Late 19th Century Belle Époque metal sculpture of a young boy lifting a faced amphora by Auguste Moreau, France By: Auguste Moreau Material: metal Technique: cast, molded, polished,...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

Early 20th century french bronze sculpture with marble base of a sitting boy By: unknown Material: copper, bronze, metal, ...

A Lovely Late C19th Bronze Sculpture of a Female Nude European Lovely Original Marble Base