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Statuette in Alabaster "Pandora" After James Pradier, Late 19th Century

$4,263.03List Price

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19th Century Biscuit Statuette Young Woman with Flowers
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19th century biscuit porcelain figurine featuring a young woman holding a bunch of flowers in her skirt. This figurine is representative of ...
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19th Century Bronze Group After Falconet
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Bronze group with brown patina featuring Cupids fighting over a heart after Etienne-Maurice Falconet (1716-1791). This work had a great success in the second half of the 19th century...
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19th Century Alabaster Sculpture Bust of a Young Girl
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Alabaster sculpture depicting the portrait of a young girl in the taste of Albert-Ernest Carrier-Belleuse, (1824-1887). She is wearing a striped garment decorated with a butterfly th...
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Late 19th Century Bronze Statue, Suzanne by Eugene-Antoine Aizelin
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Bronze statue in brown patina representing Susanna, sculpted by Eugene-Antoine Aizelin (1821-1902). Susanna at the bath is a story from the apocryphal ...
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Antique Late 19th Century French Neoclassical Figurative Sculptures

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Large bronze after Pigalle, "Mercure attachant ses talonnières", 19th century
By Jean-Baptiste Pigalle
Located in Paris, FR
Brown patina bronze sculpture depicting Mercury (Hermes), god of commerce, thieves and messenger of the gods, seated on a rock tying his winged heel-piece. He is wearing a petasus, a winged hat, and his caduceus is resting on the ground. This sculpture, based on a model by Jean-Baptiste Pigalle, shows a young god, naked and in motion. In a double-swivel position, he prepares to take off. The bronze, resting on a circular stepped base in griotte red marble, is signed on the terrace "Pigalle, 1745". The original of this sculpture was Pigalle's reception piece for the Académie Royale de Peinture et de Sculpture on July 30, 1744, which entered the Louvre between 1848 and 1850. Jean-Baptiste Pigalle: The sculptor of the Enlightenment A great French sculptor, Jean-Baptiste Pigalle was born in Paris in 1714. He worked on his art from an early age under the guidance of Robert Le Lorrain and later Jean-Baptiste Lemoyne. Convinced that his art was the meaning of his life, he returned to Italy in 1734 to perfect his technique. On his return, he began his "Mercure attachant sa talonnière" (1740), which enabled him to enter the Beaux-Arts. His reputation soared among the Parisian aristocracy. Mme de Pompadour took him under her wing, and commissions poured in. Juggling between the Baroque and the Classical, he painted portraits of Diderot and Voltaire, then created the famous funeral monuments...
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Late 19th Century Bronze Group, Cupids Playing Music
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Patinated bronze allegorical group featuring three putti on a cliff strewed with wheat. Two of them are playing the drum and the bagpipe whereas the third one is dancing. He is weari...
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Antique Late 19th Century French Napoleon III Figurative Sculptures

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