Strange Fruit - The Congregation V, a unique mixed media sculpture by Chris Day

'Strange Fruit - The Congregation VI' is a unique sculpture by the British artist, Chris Day, created from handblown & sculpted glass with terracotta, micro bore copper pipe and copper wire. This piece was created as a part of the artist's ‘Strange Fruit - Congregation', a unique installation made specifically for their solo exhibition in 2021 at Harewood House in Leeds, curated by Vessel director Angel Monzon. Chris Day is an emerging glass & mixed media artist and a recent graduate from Wolverhampton University, who received a special commendation during the 2019 British Glass Biennale held in Stourbridge, UK. Creating works that are highly personal, Day’s intention is to discuss and investigate the treatment of black people...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

A wonderful mixed-media sculpture by the noted Israeli Artist Dror Karta. This sculpture was in a traveling exhibition and is pictured in the book. The exhibition was about Palestinian and Israeli artists, who were given the same bowl to start. This is the actual piece. It is signed as well. It is a ceramic bowl, four glass leaves and lots of little bottles inside loose. The glass leaves are molded into the ceramic base by some kind of white epoxy. The leaves have been repaired at the base with the epoxy and quite a few of the little bottles have damage. There is a small chip on the underside. A brief Bio of the artist follows from the artist's website follows; Biography 1965 Born in Natanya, Israel 1985 Wounded during military service 1988-1992 Study graphic design in "Hadasa-vizo Canada college of design" Haifa, Israel 1994 Opens studio for painting, sculpturing and designing 1998 Moves to Ein-Hod Artist Village, Israel 2001-2003 Lives and works in Amsterdam, NL Group exhibitions 1998 "Shesh-Besh", Pyramid contemporary art gallery, Haifa, Israel 1998 "60 Horse Power", holiday of holidays art...

Fabulously imaginative found object sculpture on a vintage bicycle seat mined in a small antiques store in Amsterdam, having bronze door knocker, beaded bits and pieces from couture ...