Egyptian Figurative Sculptures
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Style: Egyptian
Ancient Egyptian Monumental Temple Sphinxes
Located in London, GB
A pair of monumental limestone sphinxes of Pharaoh Nectanebo I, from the processional avenue of the Serapeum of Memphis, 30th Dynasty, circa 379 - 360 BC.
The sphinxes of the Serapeum have captivated travellers since Roman times. However, despite their significance, they are conspicuously absent from the collections of most major museums. Indeed, their existence in private hands is so improbable, and their imitations so numerous, that the present sphinxes were assumed to be modern copies throughout their recent ownership history. Finally recognised and conserved after an extraordinary chance discovery at a garden furniture sale...
Category
15th Century and Earlier Egyptian Antique Egyptian Figurative Sculptures
Materials
Limestone
Exceptional Egyptian Sarcophagus Mask
Located in London, GB
Exceptionally Fine Wooden Sarcophagus Mask
Third Intermediate Period, 21st Dynasty, circa 1069-945 BC.
Acacia wood, rosewood, hippopotamus ivory
Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual.
The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows.
Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared
by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance.
The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted.
When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus.
In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory.
A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask.
The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and
of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives.
Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...
Category
15th Century and Earlier Egyptian Antique Egyptian Figurative Sculptures
Materials
Fruitwood, Hardwood
antique Bronze Door Knocker with Sphinx
Located in Alessandria, Piemonte
O/5517 - Antique bronze door knocker with sphinx - From the early 19th century, after the great Egyptian discoveries with great interest for the whole world.
Beautiful on the door, ...
Category
Early 19th Century French Antique Egyptian Figurative Sculptures
Materials
Bronze
Set of Four Egyptian Antiquities, Pair of Sarcophagus Faience & Two Figurines
Located in New York, NY
This captivating authentic Egyptian Faience set was realized in ancient Egypt circa 3100 BCE. It offers two sarcophagus figurines- suggestive of miniature versions of King Tut's tomb- hand finished in a beautiful turquoise hue (a glaze created by pulverizing the stone into pigment). Additionally, the set features two figurines (one representative of the Egyptian god Anubis), and the other seemingly a depiction of one of the ruler's as a young child also in a turquoise glaze atop volumetric rhombus plinths with tapered sides in a refined terra cotta hue. Full of historical importance (and stunning as stand alone objects) this collection of Egyptian antiquities...
Category
15th Century and Earlier Egyptian Antique Egyptian Figurative Sculptures
Materials
Faience
A modelled pale turquoise glazed Ushabti, Circa 26th Dynasty 664-525BC
Located in ARMADALE, VIC
A finely modelled pale turquoise glazed Ushabti, Circa 26th Dynasty 664-525BC
Provenance: Sotheby’s London Lot 76 14/12/1981 for 725.00 Pounds sterling as part of a group lot.
Category
15th Century and Earlier Egyptian Antique Egyptian Figurative Sculptures
Materials
Stone
Egyptian White Head Plaster Sculpture
Located in Pasadena, CA
Unsigned, this heavy white head plaster sculpture conveys a majestic impression thanks to the skillful combination of curved and sharp lines.
The back of t...
Category
Late 20th Century Unknown Egyptian Figurative Sculptures
Materials
Plaster
Pair of Marble Obelisks
Located in Paris, FR
Brown and Mawe
Pair of obelisks
Marble, Egypt style
Signed Brown & Mawe 149 Strand
Measures: 16 1/5" high, 4 1/2" wide, 4 1/2" depth
Provenance: Private collection
A rare and magnificent pair of English Regency Egyptian...
Category
19th Century Antique Egyptian Figurative Sculptures
Materials
Marble
Grand Tour Statue of Pharaoh Hatshepsut After the Ancient Model
Located in Montreal, QC
Grand Tour statue of Pharaoh Hatshepsut after the ancient model.
Hatshepsut was the fifth pharaoh of the Eighteenth Dynasty of Egypt and was the second historically confirmed female pharaoh, the first being Sobekneferu. The authentic ancient sculpture of Hatshepsut is located in Deir el-Bahri, Thebes, Egypt. Cast painted plaster. Provenance: The Collection of Charles de Beistegui, Château de Groussay. Charles de Beistegui (1894-1970), an enigmatic interior decorator whose passport was Spanish and whose wealth came from his family’s Mexican silver mines. Beistegui to indulge himself in the homes he decorated, such as his Chateau de Groussay...
Category
Early 1900s Egyptian Antique Egyptian Figurative Sculptures
Materials
Plaster
Pair of Italian Polychromed and Painted Egyptian style figural torcheres
Located in Cypress, CA
Impressive opposing pair of Venetian polychromed and paint decorated Egyptian style figural torcheres.
Early 20th century.
A life-size Nubian man and woman, each dressed in traditio...
Category
Early 20th Century Italian Egyptian Figurative Sculptures
Materials
Wood
Large Pair of Empire Style Patinated Bronze Sculptures
Located in London, GB
The pair of figures, one male and one female, are cast in patinated bronze, and are styled as Egyptian figures in the Empire style of Napoleon I. The sculptures are set upon square-f...
Category
20th Century French Egyptian Figurative Sculptures
Materials
Malachite, Ormolu, Bronze
Two Orientalist Gilt and Patinated Bronze Sculptures after Bergman
Located in London, GB
These beautiful sculptures were crafted in Austria in the early 20th century. They are signed, ‘Nam Greb’, after the famous ‘Bergman’ Viennese bronze foundry.
Cast in the Bergman style, the Orientalist sculptures depict two women in Egyptian dress...
Category
Early 20th Century Austrian Egyptian Figurative Sculptures
Materials
Bronze
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Egyptian figurative sculptures for sale on 1stDibs.
Find a broad range of unique Egyptian figurative sculptures for sale on 1stDibs. Many of these items were first offered in the Late 20th Century, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage figurative sculptures created in this style to your space, the works available on 1stDibs include decorative objects, asian art and furniture and other home furnishings, frequently crafted with stone, bronze and other materials. If you’re shopping for used Egyptian figurative sculptures made in a specific country, there are Africa, Egypt, and Europe pieces for sale on 1stDibs. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for figurative sculptures differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $580 and tops out at $42,246 while the average work can sell for $4,568.
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