Tang Dynasty Fat Courtesan Lady Pottery Figure

Tang Dynasty Painted Pottery Figure of a Fat Lady or Female Courtesan. Period (618 - 907AD) Estate / Collection: The Collection of Jay I. Kislak sold to benefit the Kislak Family Fo...

Tang Dynasty Terracotta sculpture of a fat lady This stunning lady wears her hair in an elaborately styled coiffure. A remarkable amount of the original pigm...

Tang Dynasty polychromed fat lady with child in arm. Terracotta, pottery Tang Dynasty (618- 907AD)) Measures: Height: 20.2 inches (51cm) Width: 9.45 inches (24cm) Guaranteed Authentic with COA Condition: Excellent with loss to pinky and wear commensurate of age. This rare and outstanding ceramic court attendant was made during what many consider to be China’s Golden Age, the T’ang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The T’ang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best-known painters and artists. The T’ang Dynasty took control in 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early T’ang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The T’ang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well-established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry...

Tang Dynasty painted terracotta fat lady tomb figure China. Tang Dynasty Circa 618-907 Modelled in the form of a classically dressed fat lady, this terraco...

A wonderful Chinese red clay pottery tomb figure from the Tang Dynasty (618 to 907). Guarding a dignitary or decorated soldier; these figures stood guard for over a thousand years surviving to decorate your home collection of ancient artistic and cultural artifacts. Original Polychromed red and gray paint pigments still present. Chinese Buddhist guardian statues made of earthenware and pigments, from the Tang Dynasty (618–907 AD), dated to the late 7th to first half of the 9th century. The foreign facial features of this brilliantly sculpted guardian figure is evidence of the strong Western presence in Tang-dynasty China. Originating in the Lokapala deity of the Buddhist religion, which came to China from the West, this type of armored tomb guardian...

A Tang Dynasty (618 - 907AD) Chinese Pottery Horse with Saddle. No TL test but absolutely guaranteed authentic with COA available upon request. Dimensions: 14 x 6.75 x 17 inches (35.6 x 20.3 x 43.2 cm) Condition; Very Good with wear commensurate of age and use. Invisible repairs to left ear and parts of mane and hair tuft. A super tight hairline on base of neck barely visible with magnifying glass. Strong and stable and presents beautifully. The great influence of the horse throughout the history of China cannot be underestimated. In fact, the ancient unification of the Chinese Empire was due in large part to the horse. Their rapid mobility allowed for quick communication between far away provinces. Likewise, the military role of horses aided in the conquest and submission of distant lands. The need to import stronger, faster steeds from Central Asia (as opposed to the native Mongol pony) led to the creation of the Silk Road. The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered, believed to be relatives of dragons, a theory reflecting their sacred status within society. During the Tang Dynasty, the adoration of the horse can be seen through their burial art. Horse models excavated from mausoleums of the period are among the most splendid and easily recognizable works of Chinese art. This work is remarkable for the amount of the original pigment that has survived the ravages of time, specifically apparent on the orange saddle. Equally impressive is the fact that the saddle has been separately crafted; it may once have supported a rider who is now lost to us. This gorgeous sculpture is a testament to the admiration and adoration the Chinese had for these marvelous creatures. Although they were an integral part in the expansion and defense of the empire, they were equally regarded for their beauty and grace as revealed by this sculpture. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantique’s antique and ancient Asian...

Painted pottery figure of an opulent Chinese court woman with up-swept hair and standing in a simply draped robe from the Tang Dynasty (618-907 AD). Her beauty is illuminated by the ...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

A well modelled pair of Tang dynasty painted pottery soldiers. The warriors portrayed standing, dressed in form fitting, elaborate layered Armor with fitted helmets. The breastplate...

A painted pottery figure of a prancing horse, with right leg raised and head turned towards the left, the head well modelled with crisp features below pricked ears, saddle painted wi...

A powerfully sculpted Chinese Tang Dynasty pottery model of a camel. The camel is portrayed in a walking stance, long neck extended, with head held high, mouth askew chewing cud. The...

An evocative Chinese Tang dynasty (618 to 906 AD) sancai glazed pottery model of a braying camel. The camel is well modeled, standing foursquare upon a rectangular plinth, neck raised, head thrown back, and mouth open in either a defiant, or triumphant, bray. Although sancai means "three color", this particular camel is glazed with only two colors - mostly in amber, with patches of straw glaze mimicking the large patches of fur along the camel's legs, humps, head and neck. TL tested...