Vasili Grachev Troika Passage

Antoine-Louis Barye (French, 1796-1875) "Guerrier du Caucase" cast bronze sculpture depicting a Caucasian warrior in full armor rendered in fine detail riding on his horse. Cast ci...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

Ayutthaya Lacquered and Gilt Copper Bronze Buddha Head Circa 15th Century A beautifully lacquered and gilt bronze Buddha head from the Kingdom of Ayutthaya, Thailand, circa 15th ...

Ceramic sculpture entitled « Passage clandestin » by Pierre Martinon. Signed at the base « P.Martinon ». Unique piece. 1997. H : 16.5 x 16.5 x 9.8 inches.

Tall Brutalist sculpture of blackened and collaged steel, perched on attached columnar steel base, executed in 2016. Titled "Passage," it is p...

This exquisite sculpture masterfully captures the essence of rural life, featuring an elderly peasant standing proudly, reins held firmly in his hands. Behind him, nestled in a beautifully crafted sleigh, are his son and grandson, with the latter energetically guiding the horses using a whip. Each figure is adorned in traditional peasant attire, which not only adds authenticity but also reflects their connection to the land and their heritage. Their faces are wonderfully expressive, conveying a sense of pride, determination, and the bond of family. The craftsmanship of this outstanding silver sculpture, along with its original marble base, showcases an extraordinary level of artistry. The intricate details are so skillfully rendered that one can almost visualize the steam rising from the horses' nostrils in the crisp, frosty air. The air seems to vibrate with the sound of the horses’ hooves crunching through the fresh snow, creating a vivid auditory backdrop to the scene. As the troika gallops at full speed, it leaves behind distinct impressions of horseshoes on the pristine snow, marking their journey through the wintry landscape. This dynamic movement not only brings the sculpture to life but also invites viewers to imagine the story behind this moment—an intimate glimpse into the daily life and enduring spirit of a hardworking family united by tradition and the rhythms of nature. Notes: There are intact little bell on the yoke of a central horse, and an original detachable hallmarked whip. The original, intricately executed marble base is an integral part of the whole composition. The sculpture was never cleaned or polished, and has an original patina. Markings: Fully hallmarked with maker's marks IS (for Ignaty Sazikov...

Robert Segal’s abstract sculpture offers a particularly fertile ground for experiments in shape, color, proportion, and technique. He steps away from non-traditional sculpting method...