Walther Bosse for Hertha Baller Blackface Sculpture

A unique, bronze sculpture of a man with outstretched hand, with timeless, Prehistoric feel by Anne Van Kleeck. From the artist's estate. A note about the artist: Anne Van Kleeck was primarily known for her works in cast bronze and ceramics. She attended Ohio Wesleyan University (B.A.) and Ohio State University (M.A.) and spent several years as a professor of art in Ohio and Florida. In 1957, Anne traveled to Venice, Italy to study bronze and lost wax casting, beaten iron and mosaic techniques. During that stay she employed an Italian foundry expert and together they established a small foundry on the island of Murano where they cast bronzes for her one woman show in Venice. Van Kleecks work has won multiple awards and is owned worldwide by private collectors and museums, including the Metropolitan Museum and MOMA in New York. She was contemporaries of and exhibited with Ruth Asawa, Gary Knox Bennett...

A beautiful bronze sculpture by Italian artist Pietro Cascella, (February 2, 1921-May 18, 2008). Cascella used various materials- ceramic, bronze, cement, sand and wire netting, in the 1950s he created a number of small, tactile reliefs, sometimes adorned with surreal, biomorphic forms inspired by his friend, the Chilean artist Roberto Matta. "As well as being theatrical, much of his art has a ritualistic quality. For open-air settings, he made strange, walled structures that look like Prehistoric sanctuaries, while smaller carvings, in travertine rock, represented archetypal forms: cosmic bodies, germinating seeds, even women in childbirth. Their simplified, geometric shapes are reminiscent of the abstract sculptor Constantin Brancusi, while also looking distinctly archaic." Former collection of Ruth Ford...

A very unusual, stylized sculpture of man by a Portugese sculptor Manuel Pereira da Silva. Made of pine, 1979. A note about the artist: "Manuel Pereira da Silva was born in Portelas, in 14 de Maio Street, Vila Nova de Gaia, on 7 December 1920. In October 1928, he started his education at Cabanões primary school. After he sat the 2nd level exams, at Palhacinhas school, his father enrolled him in the Faria Guimarães Industrial School (currently Soares dos Reis Artistic Secondary School), to take the joinery course. The following year, he changed to the Drawing course. After completing his secondary school studies, he enrolled in the School of Fine Arts in Porto, in 1939. Here, he studied under the supervision of Joaquim Lopes, Acácio Lino and Rodolfo Pinto Couto, and had as colleagues Arlindo Rocha, Júlio Resende, Eduardo Tavares, Isolino Vaz, Nadir Afonso and Fernando Azevedo, some of which were part of the "Grupo dos Independentes" (Group of Independents). He received two awards: the Teixeira Lopes Award and the Soares dos Reis award. His final thesis was on Nuno Álvares Pereira, and he obtained a final mark of 18 out of 20. In 1946, he left for Paris. He spent the following two years studying at the École des Beaux-Arts, shared the experience of the great masters at the Louvre, came into contact with the new artistic trends and attended open courses, where he learned, among others, the fresco mural painting technique, which was later used in the Santa Luzia Church, in Viana do CasteloIn his workshop in Afonso de Albuquerque Street, in Vila Nova de Gaia, he produced two types of works: realist sculptures, to meet the commissions he received, and more abstract and independent-type of sculptures, which can be found in many Portuguese and African cities, for instance, Viana do Castelo, Vila Nova de Gaia, Porto, Bolama, in Guinea – Bissau, and Luanda, in Angola. Baixo relevo de D. Pedro Pitões entre os Cruzados no Palácio da Justiça do PortoAmong the sculpture work he produced, we highlight the torsos of his friends Fernando de Araújo Lima, Adriano de Sá Figueiredo and Adelino Gomes; the monument to the Athlete (1973), erected in the Gândara Square, in Vila Nova de Gaia; the monument to the American general and statesman Ulysses Grant (1822-1847), in front of Bolama City Hall (1955); and the low relief work in Ançã stone, for the Audience Room of the 3rd Court Division of the Porto Court House, depicting D. Pedro Pitões near the Porto Cathedral summoning the crusaders to help Afonso Henriques in the conquest of Lisbon, dated 1961. Estátua de Ulysses Grant (1955)Manuel Pereira da Silva also produced a low relief in multi-coloured ceramics for the façade of a building in Luanda, dated 1960; the figure of the Lavrador (Farmer), in Gulpilhares; the fire-fighters in Avintes and Gondomar; the monument to the benefactor of Sandim, Fernando Couto; the monument in homage to furniture...

A whimsical ceramic sculpture by Bill Stewart.

Gmundner ceramics, Austria. Nude "Negresse" sculpture in black ceramic with grass skirt, 1950s. Model number: 2220. In very good condition. Measures: 22 ...

Incredible bronze original Art Deco signed and numbered Franz Hagenauer circa 1930.

Figurative ceramic sculpture, circa 1960 Elegant black ceramic glaze color Original mid-20th century form Perfect condition Measures: Height 18cm, large 12cm.

Walter Bosse, Austrian artist and designer (b. 1904, 1974) for Herta Baller. Bird in bronze, 1950s. Walter Bosse was affiliated with Wiener Werkstätte with Josef Hoffmann as his men...