WPA Harvester & Foundry Worker Ceramic Sculptures by Rosario R. Fiore

This important example of WPA art, which celebrates American history and folklore like so many murals and other artworks in the 1930s, presents the bearded fig...

Unique and lovely, this 1930s ceramic sculpture depicts a dancing female figure, her long robe swirling around her as she moves through space, her head looking down and her hands at ...

A bronze figure representing Demosthenes (384-322 BC), a Greek statesman and orator. The sculpture is based on a Roman copy of an original Greek statue. The chocolate-brown patina of...

Anatomical tour de force by multidisciplinary American artist Beverly Lopez. The cut off and construction boot wearing male figure stands 24" high, and stands on a 5" block with plaq...

Industrial Foundry Form, factory casting, beautiful silver zinc original paint, wonderful patina, whimsical, fantasy Art Deco design,'Emaerald City' Very sculptural, see other listings for additional Foundry molds. Foundry molds and patterns are wooden tools, carved out or built up to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. To make a wooden mold, wood needs to be stacked up, like a relief, or cut-out, like a sunken relief, with handles or other pieces to grab and pick up the mold from the molding material. Individual pattern pieces that get packed into the molding material are carved and shaped. The space or forms that these pieces make in the molding material will be the inverse of the final cast piece. These antique foundry molds...

Finished with a gorgeous, deep green-black patina with mossy highlights, this rare pair of bronze bookends depicting seated female nudes was sculpted by Max Kalish, best known for his series of sculptures celebrating the American worker...

Vibrant with compressed energy, this remarkable hand-carved sculpture depicting mother, father and child fiercely protecting each other, follows in th...

ceramic monkey sculpture Wise monkey model unusual figure of a monkey sitting on books and looking in the mirror hand painted excellent condition circa 1950 origin Germany glazed cer...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

WPA terracotta buffalo sculpture by Anthony Vozech, circa 1930s. Dimensions: 8” wide 20” high 22” deep. Minor wear on the bottom edge. Anthony Vozech was an Ohio artist that did WPA work in the 1930s and 1940s. One of his most famous works was an aluminum and limestone relief...