French 19th Century White Marble Bust of "Marie Antoinette", circa 1870-1880

A fine French 19th-20th century Art-Nouveau patinated bronze bust of "Marie Antoinette" (Queen of France 1755-1793), after the model by Agathon Léonard or Léonard Agathon van Weydeve...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

A very fine and large French 19th century white marble bust of a young beauty, purported to be a young "Marie Antoinette" (Queen of France 1755-1793), by René Rozet...

A very fine and mpressive life-size Italian, early 20th century marble bust of a Greco Roman Warrior, probably Hercules, after the antique. The large beautifully carved and decorated...

A fine Italian 19th-20th century lifesize carved marble bust of a lady wearing a hat, the beautifully carved marble bust of a lady posing with a gaze to her right, wearing a bonnet w...

A fine French 19th-20th century Art Nouveau polychromed terracotta bust of "Crépuscule" (Twilight) After Henri Jacobs (Belgian, 1864-1935) version of Crépuscule, depicting a young ma...

Bust of 'Marie Antoinette' After the original by Felix Lecomte Constructed in Carrara statuary marble, the bust of the Queen is set on a truncated ...

This important antique bust of Marie Antoinette was sculpted in Paris, France, circa 1780. Built of white Carrara marble, and crafted in the style of Lecomte (French sculptor 1737-1817), the original inspiration of the bust was located in the Queen's bedroom in the chateau of Versailles. In the likeness, Marie Antoinette is represented with her elaborate, well-known coiffure, numerous Fleur de Lys on her dress and a Louis XVI portrait...

A beautiful French 19th century white Carrara marble bust of Marie Antoinette. The bust is raised by an fine circular mottled socle pedestal....

This elegant bust of Marie Antoinette was sculpted in Paris, France, circa 1790. The sculpture, signed in the back by French sculptor Lecomte, depicts the queen with her elaborate well-known coiffure, numerous Fleur-de-Lys on her dress, and a Louis XVI portrait...

Bust of the Princess of Lamballe Marie Antoinette's Closest Confidante Carved from statuary marble and resting on a waisted rectangular Carrara socle, the portrait bust of Princess Marie-Louise Thérèse of Savoy-Carignan, later known as Princesse de Lamballe...

Beautiful 18th century marble bust of Marie-Antoinette, wear and losses consistent with age and use.