Indian Sandstone Carving of Vishnu, Madhya Pradesh, 10th-11th Century

A large and impressive Indian carved sandstone architectural frieze featuring a central image of the Hindu goddess Lakshmi flanked by two atten...

A delightful carved sandstone sculpture of an unidentified male deity, Khmer, Angkor Period, style of the Baphuon, 11th century. The smil...

A fine and rare Indian carved sandstone stele of a Jain family group, Sarnath style, early Indian Medieval period, 6th-7th century, Uttar Pradesh, India. Carved from a single block of buff sandstone, the stele features a Jain family group comprised of a father, mother, and two children. The family group is portrayed upon a lotus pedestal under a tall palm tree. The mother and father both seated in a relaxed pose known as lalitasana, or royal ease pose, a jovial expression on their faces. The mother holds the daughter in her lap. The younger son scampers mischievously up the trunk of the palm tree, his head turned to look back at his parents. Above the family, nestled in a niche amongst the palm fronds, an image of a Jain Tirthankara...

A lovely carved sandstone torso of the Buddha, Ayutthaya period (1350-1767), Thailand. Wonderfully simplistic, the only ornamentation this torso displays...

A remarkable Chinese life sized painted stucco head of a luohan, Song, Liao or Jin Dynasty, circa 11th century, China. The amazingly life-like figure depicts a luohan (sometime spelled lohan), also known as an arhat, one of the original disciples of the Buddha. The elderly man has been molded in stucco with inset glass eyes and painted with idealized, if slightly exaggerated features. The unidentified luohan sports a bald, or perhaps shaved, domed head above a bulging forehead, symbolizing his vast wisdom. The wrinkles in his furrowed brow, and creases around his eyes add to his realism. The learned man stares out wisely from deep set, heavily lidded inlaid glass eyes that catch the light. The luohan has high cheekbones and a prominent jawline. His lips full and pursed as if about to speak. The corners of his mouth turned up ever so slightly in a faint smile, causing his gaunt cheeks to dimple charismatically. A series of dots above the upper lip indicate he may originally have sported a mustache of real hair. This life sized head with extremely realistic features fits into a very narrow time frame of Chinese Buddhist art. Perhaps the most recognized group of large, finely molded Chinese luohan...

A wonderful and rare set of Khitan Liao gold clad copper alloy repousse horse trappings, featuring thirteen pieces on a modern museum display mount, Liao Dynasty...

500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in origin...

500-600 Year old sandstone carving. The sculpture is depicting 'Two demons riding an elephant at the pagoda'. From Buddha pagoda / temple in Arakan, Burma. Naive and charming in it...

A collection of three carved sandstone heads on wood display stands from Northern India Rajasthan or Madhya Pradesh, circa 11-12th century. Fragmented from large whole-body statue, these red sandstone heads exhibit very fine carving, typical of Northern Indian Art during the medieval time. Two males and one female, they represent heavenly deities Yakshas and Yakshini. Their facial features were detailed with large almond-shape eyes under thin arched eyebrows. The males have characteristic facial hairs including curvy moustaches and tightly combed beard, both finely carved, and the female wears large spoke loop earrings. They all don fantastical hairstyles with serpent-like spiral locks and some with elaborate knots on top and above the sideburns. These deities are likely celestial musicians. A pair of full-body statues (lot 70) were offered for sale in Christie's Indian and Southeast Asian Art...

An Indian carved teak wood guardian lion sculpture from the mid-18th century, with traces of original paint. Handcrafted in India during the 1740s-1760s in order to take place in a monument, this teak architectural carving features a guardian lion, his teeth resting on a man's head. The sculpture shows traces of its original paint, while carving technique presents a great attention to details. The flat top suggests this was used as a column base, perhaps in a temple. With its expressive character and original paint, this Indian mid 18th century carved lion figure...

An antique Indian temple multicolor carving from the 19th century depicting Ganesha with consort Riddhi or Siddhi on his knee. Created in India d...

A mesmerizing Gupta Empire (mid-3rd century BCE - 543 AD) mounted terracotta torso of a standing Vishnu. Vishnu is the preserver god, which means he p...