Large Jules Moigniez Bronze Sculpture "Pheasant & Stoat"

PIERRE-JULES MÊNE French, 1810-1879 "Plaque Lièvre et Faisan" (1850) Sand-cast patinated bronze engraved signature "P.J. MÊNE 1850" probably posthumously cast circa 1880 Item # ...

AIMÉ-JULES DALOU French, 1838-1902 A Sleeping Woman Patinated lost-wax cast bronze signed "DALOU" to base, inscribed "Susse Fres Edrs PARIS" and "cire p...

PIERRE JULES MENE French, 1810-1879 "Valet de Limier" (1879) Patinated bronze Signed in cast "P.J. MÊNE", incised "F. BARBEDIENNE FONDEUR" to base Item # 109LWK22S This was the...

PIERRE JULES MÊNE French, 1810-1879 "Cheval Libre no. 1" (The Free Horse) Sand-cast and patinated bronze cast signature "P.J. MÊNE" atelier Mêne-Cain, cast circa 1900 Item # 308KNM08Q Cast from an early mold with brilliant surface texture captured directly from the wax and transferred to the bronze, the present example is an atelier Mêne-Cain cast circa 1879-1908. It features a lively surface that is finished in a very dark brown patina with reddish undertones, the darker chemical patina being captured in the slashes and cuts of the sculptor's stylus that remain captured throughout the flesh of the stallion. It remains in an exquisite state of preservation throughout with the original patina sealed under a glowing wax layer. The underside shows the horse joined thorugh the base with large threaded rods tightened with torch-cut nuts. The model is listed in Mêne's catalogue as no. 39 and it is an individual portrait of the stallion separated out from his most celebrated L'Accolade with some slight alterations to the horse's pose make the figure more appropriate as a stand-alone work. The dramatic pose is highly Romantic and reminiscent of the posturing and composition found in the brilliant equestrian portrait...

PIERRE-JULES MÊNE French, 1810-1879 "Chasse au Renard" (The Fox Hunt) Sand-cast patinated bronze signed in cast "P.J. MÊNE 1849" an atelier cast circa 1860 Item # 311ZDQ28W Th...

JULES BENNES French, fl. late 19th to early 20th century "The Race" Medium-brown nuanced patina on sand-cast bronze Signed in cast "J. Bennes" Item # 112PZE03S A remarkable fin...

This wonderfully playful French animaliers study of two pheasants eating wheat has a nice golden patina and finely finished hand chased surface detail, r...

A large and impressive late 19th century French animalier bronze group of a Pheasant surprised by a weasel, both animals heightened with original gilding and raised on a naturalistic...

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...

Large Statue in patinated spelter. Hunting dog holding a pheasant, signed Jules MOIGNIEZ (1835-1894). 31 cm high x 37 cm width. Jules Moigniez was a 19th-century French animal scul...

An untitled bronze sculpture depicting a horse and greyhound. Beautiful bronze work, standing on realistic base, signed on the back of the base: J. Moigniez (French 1835-1894). This ...

Bronze grouping of sheep with a nuanced brown patination. Moigniez' intricate work on the surface of the piece created a true-to-life rendering of the sheep's fleece. The group is se...