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Le Telephone - French 1800s Technology as Heroic Figure

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Large 1800s French Cabaret Poster
Located in Peekskill, NY
This is a rare and early French poster for a Concert Cabaret. The image has a full length female harlequin with doll and a second clown lurking behind. Art is by H. Gray and poster r...
Category

Antique Late 19th Century French Other Posters

Materials

Paper

1800s Trepanning Head Clamp
Located in Peekskill, NY
Trepanning, also known as trepanation, trephination, trephining or making a burr hole (the verb trepan derives via Old French via Medieval Latin from the Greek noun of relevant meani...
Category

Antique Mid-19th Century Scientific Instruments

Materials

Brass

Large Impressive 1800s Kalidoscope
Located in Peekskill, NY
This scope is unsigned and was acquired from a European collector. It could be American but I'm guessing its not. The eyepiece and turning mechanism are brass. The tube is canvas wra...
Category

Antique Mid-19th Century French Industrial Scientific Instruments

Materials

Fruitwood

1800s large Oil Lantern
Located in Peekskill, NY
This was a very early oil lantern that has now been wired to take three E26 bulbs. It a large size lantern with an 18 inch diameter made up by 8 sections and 24 glass panels. The lam...
Category

Antique Mid-19th Century American Rustic Chandeliers and Pendants

Materials

Tin

Truffle Pig, Large Articulated 1800s French Trade Stimulator
Located in Peekskill, NY
This five foot plus papier mâché pig was used as a fund raiser or trade stimulator. The brass stomach plaque has a coin slot and reads in French... Pu...
Category

Antique Late 19th Century French Folk Art More Folk Art

Materials

Paper

French Rococo Dark Bronze 1800s Rose Glass Chandelier
Located in Peekskill, NY
This is a beautiful high style French 3 light chandelier with hand blown Dresden flowers, circa 1880. The shades are a rose color glass with a frosted finish. Each socket has been re...
Category

Antique Late 19th Century French Chandeliers and Pendants

Materials

Bronze

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Two Black Glazed Terracotta Lions Serve as Candleholders, early 1800s France
Located in Stockholm, SE
Two Black Glazed Terracotta Lions Serve as Candleholders, early 1800s France. A pair of glazed lions with great character, showing the wear and tear of time (both have lost the tips ...
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Antique Early 18th Century French Baroque Figurative Sculptures

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Terracotta

Elephant Fight, Patinated Earthenware Sculpture, France 1800s
Located in PARIS, FR
Superb patinated earthenware sculpture representing two elephants fighting, France 1800s, Romantic period. Beautiful details enhancing the vivacity of the...
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Antique 19th Century French Romantic Animal Sculptures

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Earthenware

Vienna Bronze, Red Robin, Austria Late-1800s
By Geschutzt
Located in PARIS, FR
Superb red robin Vienna bronze with beautiful polychrome colours, Austria 19th century. Stamped Geschützt. In good condition. Dimensions in cm ( H x L x l ) : 7 x 11 x 4...
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Antique Late 19th Century Austrian Romantic Animal Sculptures

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Bronze

Monumental French Ormolu Mted Bust of Alexander The Great, F. Girardon, 1800s
By François Girardon
Located in New York, NY
A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...
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Antique 1870s French Louis XVI Busts

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Marble, Bronze

c. 1800, Carved Chinese Figure
Located in Los Angeles, CA
An elegant, turn-of-the-19th century, hand-carved, fully finished polychrome and parcel gilt statue of a Chinese wise man with a cascading braid beneath a...
Category

Antique Early 1800s Italian Figurative Sculptures

Materials

Wood

Large Antique French Bronze Sculpture, Bellowing Stag, Doe, and Fawn, Late 1800s
By Clovis Edmond Masson
Located in Dallas, TX
This large French bronze sculpture depicts a family of deer traversing across a rocky terrain dotted with flowers. Sculpted in the late 1800s by Clovis-Edmond Masson, the sculpture has fantastic movement, as all three deer are depicted in full stride, with their hooves off the ground. The largest of the group is a stag with a wide antler spread and detailed musculature. To the stag’s left is a doe looking back towards a fawn, who is looking up at the stag. The sculpture has a rich, green-brown patination with areas that have retained the gold of the bronze. Behind the doe are two engravings: “C. Masson” and “Salon des Beaux-Arts”, indicating that the sculpture is the work of Clovis-Edmond Masson and was exhibited at the Paris Salon (the original). Clovis-Edmond Masson was born in Paris in 1838 and specialized in sculptures that accurately depicted animal behavior. Masson exhibited at the Salon regularly from 1867-1881, placing this sculpture in that time frame. The most famous work by Masson was commissioned by Rama V...
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Antique Late 19th Century French Animal Sculptures

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Metal, Bronze

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