Stone Sculptures

A striking vintage Regency cement bust. A handsome composition of a Julius Caesar. A chic all over patina from time. Perfect indoors or outside. You decide! Acquired from a Palm Beac...

A very fine pair of french late empire patinated bronze & well grained sienna marble grand tour twin handle Tazza of large and heavy proportions First quarter of the Nineteenth C...

An antique early 19th century Statuary Carrara marble bust of a gentleman. In original un-restored and time-worn condition. Life size and beautifully carved. Circa 1820 A...

An incredible pair of vintage Regency flower sculpture. Done in a cast stone with lots of great patina from time. Perfect indoors or out in the garden. You decide! Acquired from a Pa...

A spectacular pair of vintage Regency statues. A chic pair of mythological figure done in a cast stone. Each rests on a detailed plinth. Perfect i...

A fabulous pair of vintage Regency poodles. A charming pair made from a cast concrete. Lots of great distressed patina from time. Acquired from a Palm Beach estate.

A Detailed Cockatoo. Finely chiseled of life-sized form Looking as Lifelike as one could possibly wish for. Minor chips to tail, barely noticeable. Measures: 27 H 8 W by 14 De...

A small early 19th Century bronze Bust of Napoleon wearing laurel leaf garland, supported on Sienna marble plinth ending on double stepped platform...

An early 19th century well-cast detailed bronze of Napoleon riding his famous horse Marengo supported on moulded Sienna marble base.

Joseph Gott 1785-1860, English. Circa 1840. A fine marble portrait bust of a young lady in classical dress, wearing a floral chaplet. Probably Angelica Catalani (1780-1849). Signed to the reverse: “J. Gott. F.” Joseph Gott was born in Yorkshire in 1785 and was apprenticed to the eminent sculptor, John Flaxman, between 1798-1802. He trained at the Royal Academy Schools from 1805. He exhibited at the British Institution in 1821 and 1822 and the Royal Academy between 1820 and 1848. 1n 1822 Sir Thomas Lawrence gave him a letter of introduction to Antonio Canova in Rome. He subsequently travelled to Rome, where he resided for the rest of his life. He made regular trips to Britain to meet his patrons and to secure commissions. He died in Rome in 1860. T. F. Friedman, writing in the Dictionary of Art (1996), comments that 'Gott was never attracted by the austere neo-Greek style practised by Gibson and Richard James Wyatt...

Superb Example of The Borghese Gladiator with well defined muscles and tendons, first half of the Nineteenth Century, complete with its original cream and pink veined brown marble base, ending on a black marble stepped base. Condition: Superb condition untouched condition with wonderful patination. Foundry mark on base as shown “A NELLI ROMA...

Fantastic vintage life size cement dog. A chic gold finish with a warm patina of time. A dramatic addition inside or outdoors. Acquired from a Palm Beach es...