"Monument to a Curve" by Contemporary American Sculptor Mike Walsh

Contemporary American abstract sculpture featuring a wooden desk with geometric black and gray designs, mounted on a rectangular base.

Contemporary American Modern circular / disc wood sculpture on and ebonized stand.

Contemporary American abstract sculpture made of patinated bronze, mounted on a square white marble base. (in the style of BRANCUSI).

American Post-War Design (circa 1960) abstract bronze sculpture (maquette) on a travertine base. (Attributed to Dimitri Hadzi 1921-2006).   

American carousel style (20th Cent) of stripped pine large giraffe figure with gold trim and wearing a saddle

American lacquered metal figure of Native American warrior with shield & bow holding horn on a naturalistically cast circular base (likely mad...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

Larry Mohr abstract sculpture bronze bars bolt together to form an abstract figurative sculpture. A well know artist who's works are included in museum collections.

A soldered wire sculpture under plexiglass vitrine by American sculptor Marilynn Gelfman-Karp. Signed and dated. Sculpture size - 15" high by 25" wide by 7.5" deep, Circa 1970.

Poignant bronze sculpture of nurturing mother elephant and her calf. Rich brown patina with hints of verdigris. By American sculptor Dan Ostermiller. Signed and dated 1992. Casting number 14 out of 30. Mounted on marble and wood base. One of America's foremost wildlife sculptors, Dan Ostermiller works in a realist style and is admired for his extensive knowledge of animal anatomy, high level of craftsmanship, and compassionate treatment of his subjects. He is committed to studying animals in their own environments and strives to put character into his pieces. His is a fluid style that conveys grace of motion, and he quite often works on fifteen to twenty pieces at a time. Ostermiller has also taught animal anatomy and the animal characteristics around the world. Ostermiller was raised in Cheyenne, Wyoming, and his father, Ron, was a highly respected taxidermist. As a result, Ostermiller was working with clay at an early age. As a teenager, he became his father's assistant and learned the basic skills of making an animal look life-like, from facial expressions to body language. Breaking away from taxidermy because he wanted to be more creative, Ostermiller spent time in Texas as a hunting guide, and worked on sculpting, moving to Loveland, Colorado to be close to foundries. During this period he was estranged from his father, who was exceedingly bitter about his son's decision not to become a taxidermist. The two united in the late 1980's when the father was dying of cancer. Ron Ostermiller lived long enough to see his son honored for his accomplishments, including the 1987 recognition by the Wyoming governor at the dedication of his monumental sculpture at the state capital. By the late 1990's, Ostermiller had created nearly 250 different pieces of sculpture. He had made several trips to Africa, accompanying hunters to Rhodesia, but lost his interest in hunting animals for any purpose other than photography. He has great feeling for his subjects, and no desire to harm them. Ostermiller works from a large studio complex in Loveland, Colorado where he is surrounded by a park of his sculpture, a stream, waterfall, and grounds with wild birds. In addition to sculpting, he enjoys hiking, gourmet cooking, and collecting cars...

A carved wooden cubist sculpture of a seated nude woman by Boris Blai (1893-1985). This carving likely dates to the 1920s-1930s (during Blai's time in Philadelphia). Most likely constructed of sections of laminated basswood stained with a dark stain, it has an integral plinth with button feet and a carved signature the base. The sharp angular lines of the body are starkly contrasted by the soft-edged, almost nondescript depiction of the head and face. Blai was born in Russia and studied in academies in St. Petersburg, Paris, and eventually under Auguste Rodin. After WWI, Blai emigrated to the US, where aside from his prolific art production, he was also instrumental in the founding of the Tyler School of Art at Temple University, the Long Beach Island...

A brass, crystal, and geode Brutalist style sculpture of an owl on a wood base. Most likely done by Artist Claude Barbat. Highly detailed and intricate. The body is formed from hand ...