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19th Century Tazza Cup in Gilt and Patinated Bronze by Levillain and Barbedienne

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  • 19th Century French Neoclassical Style Bronze Vase by Levillain and Barbedienne
    By Ferdinand Levillain, Ferdinand Barbedienne
    Located in London, GB
    This elegant vase is cast entirely in bronze and it is signed by its makers, the sculptor Ferdinand Levillain (French, 1837-1905) and the master bronzier Ferdinand Barbedienne (Frenc...
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    Antique 19th Century French Neoclassical Vases

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    Marble, Bronze, Ormolu

  • Neo-Grec Bronze and Patinated Bronze Tazza by F. Levillain, Cast by Barbedienne
    By Ferdinand Levillain
    Located in Knivsta, SE
    A beautiful Neo-Grec Tazza in bronze and patinated bronze, signed by the artist Ferdinand Levillain ( 1837-1905) and cast by the famous Ferdinand Barbedienne (1810-1892). France 1...
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    Antique 1860s French Centerpieces

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  • Bronze Amphorae, Levillain & Barbedienne, France, Late 19th Century
    By Ferdinand Barbedienne
    Located in Greding, DE
    Pair of fire-gilt bronze amphorae by Ferdinand Levillain (1837-1905) and Ferdinand Barbedienne (1810-1892) on trefoil red marble bases. The vases stand on lion paw feet with Hercules atlases and antique scenes...
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    Antique Late 19th Century French Empire Revival Urns

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  • F. Barbedienne, 19th Century French Gilt Bronze and Cloisonnè Enamel Tazza Cup
    By Ferdinand Barbedienne
    Located in Firenze, IT
    This French 19th Century antique lovely bronze and cloisonnè enamel tazza or cup with handles is an artwork made by Ferdinand Barbedienne (1810–1892). This Napoleon III period little...
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    Antique 19th Century French Napoleon III Decorative Bowls

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    Enamel, Bronze

  • Neo-Grec Gilt and Patinated Bronze Tazza, Cast by Barbedienne
    By Ferdinand Levillain, Ferdinand Barbedienne
    Located in Brighton, West Sussex
    A Neo-Grec gilt and patinated bronze Tazza, designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Marked 'F. Levillain' to the decoration and stamped 'F. Barbedienne' to the underside. This rare tazza is a fine example of the collaboration between the gifted designer Ferdinand Levillain and the highly acclaimed bronzier Ferdinand Barbedienne. It is decorated with a bas-relief in the 'Neo-Grec' or ‘Pompeian’ style with classical figures herding animals...
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    Antique 19th Century French Neoclassical Revival Decorative Dishes and V...

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  • 19th Century Silvered Bronze Athénienne Jardinière by Ferdinand Barbedienne
    By Ferdinand Barbedienne
    Located in Oxfordshire, United Kingdom
    A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...
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    Antique 19th Century French Grand Tour Planters, Cachepots and Jardinières

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    Marble, Silver Plate, Bronze

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