Mounted Objects

17th century iron dog collar, museum mounted on rectangular giltwood base. With two rows of neoclassic ironwork. The 6" x 2.25" W collar is removable...

This stunning stylized bronze stallion sculpture was realized in France by the renowned sculptor Pierre-Jules Mêne (1810-1879) in the mid 19th Century....

This petite cone-shaped cap, known as laket, was created by an artisan of the Kuba peoples of the Democratic Republic of the Congo. The base is made of a simple woven raffia fabric, ...

A selection of decorative wood necklaces from Ethiopia, circa 1970. Stitched in leather with bead and money cowry shells and metal trimmings. Mounted on black metal stands. Two ava...

This tribal panel originates from the Batak tribe of Sumatra. The Batak are known for the elaborate decoration of their buildings and these decorative panel additions would have been...

This tribal panel originates from the Batak tribe of Sumatra. The Batak are known for the elaborate decoration of their buildings and these decorative panel additions would have been...

This tribal panel originates from the Batak tribe of Sumatra. The Batak are known for the elaborate decoration of their buildings and these decorative panel additions would have been...

A late 19th century diamond pan from West Kalimantan, in the island of Borneo. At the heart of the Dayak territory, the rivers produced diamonds known for their singular colors. Ho...

This is an assembled pair of very early 19th century English Staffordshire Pearlware Obelisks that have been fitted as lamps. Minor restorations have been made to the obelisks over t...

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in turquoise, orange, green, yellow red, blue ...

A impressive late 18th century French sandstone sundial mounted on a custom lade iron stand. The Latin numerals finely carved at both sides an...

A pair of exotic hard wood panels with hand carved wood tribal male and female figures. Each panel with three hand carvings spaced evenly on the panels, mid-20th century. 53.5 inches...

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

A wonderful set of five early 20th century iron phallus figures from Togo. Fertility figures like these were planted in the ground of a farmer's fiel...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

We are delighted to offer for sale this lovely original handmade Kenyan Turkana leather and iron bound fighting shield which has been expertly mounted to a Gillows quality hardwood a...

The highly decorative bib beaded necklaces are treated as works of art displayed on their black metal stands as sculptural works of art. Near the necks are bent poles wrapped with tw...

A fantastic 19th century Afo culture wrought iron spade currency piece mounted on custom steel stand. Currency pieces like these were used for large purchases including land or lives...

A pair of wonderfully sculptural early 20th century handwoven wicker shields from the Tamberma people of Togo, mounted on custom steel stands.

An African iron currency blade or sword currency from the Nkutshu, Topoke & Songo Meno peoples, Democratic Republic of Congo (Zaire) which is nicely presented upon a custom metal stand. Such blades were used by various tribal groups in the Democratic Republic of Congo as a form of currency. They were used to close a variety of important transactions such as land deals or the proposal of marriage. This African sword...

Gelede helmet mask of a gendarme. Male Yoruba dancers wear gelede masks at festivals honoring the women of the Community. Gelede masquerades often serve as...

This four-sided brass face bell, known as omo, was created by an artisan of the Ijebu Yoruba People of Southern Nigeria. A mark of the wearer's rank and power, the bell would have be...

Hand carved solid wooden doors of an African cabinet (Mali/Dogon). fixed on a white colored wooden plate, gold framed. The object shows typical African symbols...

Pair of Palatial antique 19th-20th century solid marble obelisks on pedestals. The obelisks detach from the pedestal bases.

Doted on like an actual child, this carved doll was once owned by a young girl among the Namji people of northwest Cameroon. Carted around by its owner wherever she went and lovingly...

This is a pair of vintage African spear currencies from the Mbole peoples, Democratic Republic of Congo which are nicely presented upon custom m...

This is a pair of vintage African spear currencies from the Mbole peoples, Democratic Republic of Congo which are nicely presented upon custom m...

A Papua New Guinea yam festival mask of a horn-billed bird from the mid-20th century. This vintage ceremonial mask, also referred to as a baba mask, originates from the Abelam people...

An early 20th century carved wood door panel from Timor Island in the Indonesian archipelago. This antique wall panel from Timor Island (an isl...

A pair of Papua New Guinea yam festival masks from the mid 20th century. These vintage ceremonial masks, also referred to as a baba mask, originate from the Abelam people, along the ...

An early 20th century carved wood door panel from Timor Island in the Indonesian archipelago. This antique wall panel from Timor Island (an isl...

Ethiopian pilgrim staffs, each showing a well worn patina and mounted on a custom black steel base. Painted hardwood, each mounted on a custom black steel base, excellent antique condition. Create an instant collection or large installation...

Fine large pair of neoclassical rock crystal obelisks with square base. Very harmonious proportions, exquisite clarity, Fren...

To cure mental and physical ailments, Yoruba priests and diviners invoke the aid of Osanyin, the god of herbal medicines. Used in divination rituals to cure the afflicted, this iron ...

A pair of Papua New Guinea wooden shields on custom stands from the mid 20th century. These oceanic war shields were not only created for protecting oneself for tribal warfare, but also in ancestral and ritual worship. They are adorn in various motifs, coloring and symbolism, intended to protect the carrier from magic and bring fear to the opponent. The shorter shield is from the Mendi area within the Southern Highlands. The taller shield originates from the Melpa tribe of the Western Highlands (Mount Hagen and Wahgi Valley), an area which was not discovered by the outside world until three Australian gold prospectors entered the region during their explorations in 1934. These shields are displayed upright on a custom black iron stand, with the tallest of the set standing at a height of over 5.5 ft tall. This pair of Papua New Guinea shields...

A pair of Papua New Guinea Mendi wooden war shields on custom stands from the mid-20th century. This pair of war shields originate from the Mendi region, within the Southern Highlands of Papua New Guinea. These oceanic war shields were not only created for protecting oneself for tribal warfare, but also in ancestral and ritual worship. They are adorn in various motifs, coloring and symbolism, intended to protect the carrier from magic and bring fear to the opponent. The shields are displayed upright on a custom black iron Stand, with the tallest of the set standing at a height of over 4.5 ft tall. This pair of Papua New Guinea shields...

A Swedish 18th century large tole architectural swag mounted on an iron stand. This antique swag came from a building in Sweden. This unique piece consists of a rich foliage motif that appears to be draping on its stand. The general color of this unique piece is a moss-green tone. With its classical elegance, this 18th century Swedish architectural...

A pair of Papua New Guinea wooden shields on custom stands from the mid-20th century. These oceanic war shields were not only created for protecting oneself for tribal warfare, but also in ancestral and ritual worship. They are adorn in various motifs, coloring and symbolism, intended to protect the carrier from magic and bring fear to the opponent. The shorter shield is from the Mendi area within the Southern Highlands. The taller shield originates from the Melpa tribe of the Western Highlands (Mount Hagen and Wahgi Valley), an area which was not discovered by the outside world until three Australian gold prospectors entered the region during their explorations in 1934. These shields are displayed upright on a custom black iron stand, with the tallest of the set standing at a height of over 5.5 ft tall. This pair of Papua New Guinea shields...

A pair of Kiakavo wooden clubs from the Fiji Islands on custom stands. These vintage tribal wood clubs, carved by stone, are a beautiful example of the dis...

Time-honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

A pair of Kiakavo wooden clubs from the Fiji Islands on custom stands. These vintage tribal wood clubs, carved by stone, are a beautiful example of the dis...

A pair of vintage Chinese winter boots on stand. This is a pair of Chinese leather winter boots that have been displayed on a custom black iron Stand. The boots are from the people b...

A rare repuse shield with natural fiber wraped handle from the Kirdi tribe Cameroon. Now on a patinated Bronze Stand. For a similar example please see- Benitez-Johannot, Purissim...

A Western Mongo tribal shield (Democratic Republic of the Congo) Carved hardwood with white pigement decoration. Now mounted on a patinated bronze Stand. A similar example can be...

The Afo Bridal Currency was used in Nigeria until the early 1940s. This is also known as a "Chenkrom." Now mounted on a bronze stand.

Classical style Italian green marble ewer vase with pedestal Italian, 19th Century Height 114cm, width 38cm, depth 37cm This decorative Italian ewer has b...

This giltwood sculpture was carved in the round, probably in southern France or northern Italy in the 1760s. Her pronounced musculature speaks to the ongoing influence of Michelange...

Nigerian currency crafted by the Fulani tribe. Outlawed in the 19th century by Colonel Phelps. The unusual forms and sizes of ethnographic currencies...

Fiber art by contemporary aboriginal artist Allison Guwanjguwanj. It depicts a dreamtime creature called "Yawkyawk" which is the ancestor of the cl...

Stunning Silver Miao Minority Tribe Necklace mounted on a custom base. Meticulously designed to add a touch of cultural charm to your space, this captivating piece serves as a decora...

Experience the grandeur of the Asian Miao Minority Tribe with this exquisite silver ceremonial necklace/collar. Crafted with meticulous attention to detail, this stunning piece showc...

Experience the grandeur of the Asian Miao Minority Tribe with this exquisite silver ceremonial necklace/collar. Crafted with meticulous attention to detail, this stunning piece showc...

"Les Enfants de Bacchus" A French 19th century Charming Pair of Putti Natural wood hand carved in full round One symbolizing Flora, the other one the Grapevine. Resting on circular...

Hand forged and crafted copper 'Manilla' currency from the Igbo people of Nigeria. With a lovely, rich patina. The four sides tapering to lozenge shaped ends, with notched ridges. This currency bracelets, now mounted on a black steel base, is a wonderful piece of sculpture. Hand forged, hammered and crafted, this is an abstract work of art with meaning...