Blue Marble Orb or Sphere-Neo-Classical Patinated Tripod Stand with Lion's Faces

This ferocious large classical lion door knocker has been saved from a pre-eminent building in Palm Beach. The knocker is attached at either side of the mouth and is operational. The...

Pair of parcel-gilt bronze heads of crying babies on fluted bronze doré columns after Jean-Antoine Houdon. They have been placed on custom beveled Luc...

Hand blown cut glass neo-classical style columnar lamp. This lamp was originally made with an oil font at the top. Most were converted in the 1920’s to electric. The shaft is sli...

Hand-painted wood pedestal with lion's head handles from an English conservatory. Original green and cream painted decoration. Wonderful characte...

Vintage Patinated Solid Cast Brass Lion's Head Door Knocker. Vintage large solid cast brass Lion's Head door knocker. Georgian English style large hand cast bronze lion's head door k...

An elegant and high quality French 19th century Neo-Classical st. Ormolu, patinated Bronze, and Rouge Griotte marble statue, signed Deniére. This beautiful statue of Erato and Callio...

This is a Neoclassical Revival Italian plaster sculpture depicting a realistically rendered hand, signed and dated Rome, 25 Agosto 1857. The piece is a fine example of mid-19th century academic craftsmanship, capturing the elegance and anatomical precision characteristic of the Neoclassical style, which was heavily influenced by ancient Roman and Greek art. The hand is sculpted with incredible attention to detail from the gentle curvature of the fingers to the subtle articulation of the knuckles and fingernails. The plaster surface has a softly textured, matte finish, evoking the look of marble and lending the piece a timeless, classical feel. This sculpture was intended as a study model or academic cast, often used in art schools or ateliers of the time to teach drawing and sculpting from classical forms. The handwritten inscription of the date and location adds a personal and historical touch, anchoring it to a specific moment in 19th-century Rome —a hub of Neoclassical art and study during that period. It’s both a decorative object and a historical artifact, perfect for collectors of classical art, academic studies, or antique plaster casts.

Outdoor Continental Neo-classical (19/20th Cent) veined marble urn on square base