Ceramic Art Deco Wall Sculpture designed by Yugoslav Sculptor Ivan Mestrovic

Abstract, modernist sculpture done in bronze by pne of the leading Yugolsav artists, Ivan Kožarić. The work is signed on the back of the sculpture. Modernist sculptor Ivan Kožarić, ...

In this listing you will find a striking piece of avantgarde art work done in metal by a Yugoslav artist Ljubomir Rajčević. This exceptional piece features a breathtaking minimal est...

In this listing you will find a spectacular Art Deco Fine Leaded Stained Glass Window, depicting a Nude in the landscape. This breathtaking piece of art is done by a renowned Yugosla...

In this listing you will find an modernist oil painting titled "Mermaid", painted by a well known Yugoslav artist Uros Toskovic who was based and worked in Belgrade in Serbia. Techni...

Rosario Russell Fiore (American, 1908-1994) Art Deco figural nude ceramic sculpture, 1930s 4 ¼ inches wide by 3 inches deep by 9 inches tall Rosario R. Fiore was a prominent...

A plaster cast of Elie Nadelman's important early proto-cubist Draped Standing Female Figure "Recherche des Formes" c.1908. Height 23", Base 11.50 x 8".

Original Art Deco nude ceramic sculpture featuring a figural study of a young female form with an early streamlined form by F. Trinque The artwork showcases the woman in pristine whi...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...