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French Mounted Objects

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Style: Victorian
Place of Origin: French
Antique Billiard POOL Cue Ball in Bone, 19th Century
Located in Esbjerg, DK
Now serving as a decorative tooth sphere this was originally an object designed for Billiards which was invented in France prior to 1730. This particular cue ball...
Category

Mid-19th Century Victorian Antique French Mounted Objects

Materials

Bone

Antique Patinated French Grand Tour Classical Bearded Male Figure Bronze Marble
Located in Dublin, Ireland
An Exceptionally Well Cast Dark Patinated Bronze Grand Tour Figure Modelled as a Standing Robed and Bearded Male, supporting a knapsack across his right shoulder. Last half of the ...
Category

19th Century Early Victorian Antique French Mounted Objects

Materials

Breccia Marble, Bronze, Ormolu

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ANTIQUE ORIGINAL MARBLE SINK 19th Century
By Europa Antiques
Located in Madrid, ES
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8-19th Century Wooden Horse
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Antique Caram Billiard Cue Ball in Bone, 19th Century, France
Located in Esbjerg, DK
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“Samson Burning The Harvest” Bronze by French Sculptor Leon Bonduel, circa 1890s
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“Samson Burning The Harvest” in bronze by French sculptor Leon Bonduel, (1857-1928), circa 1890. Signed on the base Bronze with deep brown patina, representing Samson standing vie...
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Bronze Ballerina Style Baby Shoes Pair Weights with Marble Base
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19th Century Wooden Hat Mold
Located in Los Angeles, CA
A wooden hat mold, originating in France, circa 1880.
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1880s Late Victorian Antique French Mounted Objects

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19th Century Wooden Hat Mold
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Jules Moigniez Solid Bronze 1860s Statue of Eagle France Made
By Jules Moigniez
Located in GB
We are delighted to offer for sale this stunning very large eagle sculpture signed by the sculptor Jules Moigniez circa 1860 19th century French bronze of an eagle by Jules Moigniez. Jules Moigniez: Jules Moigniez (28 May 1835 – 29 May 1894) was a French animalier sculptor who worked during the 19th century. His output was primarily cast in bronze and he frequently exhibited his sculptures at the Paris Salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–1892. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855 Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland. More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez's bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain "elegance of attitudes". His Chien braque arrêtant un faisan (1859), cast in bronze, was acquired by the French government for the château of Compiègne. As early as December 1869 his sculptures had begun to be imported to the United States by the Philadelphia jewellery...
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1860s Victorian Antique French Mounted Objects

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Located in London, GB
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1880s Early Victorian Antique French Mounted Objects

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Zinc Boucherie Chevaline
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Located in New York, NY
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