Pair 19th Century French Bronze Sphinx on Verde Antico Marble Bases

Pair of English Regency bronze whippets or greyhounds on verdi antico marble book form bases, after a model by Thomas Weeks. Each dog sculpture is beautifully cast with their individual personalities. 6 inches high 5 wide 5 deep including bases. These whippets are resonant of the early nineteenth-century work of Thomas Weeks (d. 1834) who established a 'Royal Mechanical Museum' or emporium in Tichbourne Street in about 1797. The attractions included various animated animals and insects, ingenious clocks, musical instruments, elaborate temples, toys and other such peculiarities that appealed to the London public in the late 18th and early 19th Century (C. Gilbert, 'Some Weeks cabinets reconsidered', The Connoisseur, May 1971...

19th century, or possibly earlier, seated bronze chimera, cast as a ferocious scaled beast seated in a defensive crouch with its head facing forward as ...

Very sensitive rendering of a greyhound at rest with a rich dark brown patina with lighter highlights showing through. The dog is shown reclining with one paw turned up, a detail I find endearing as a dog owner, my border collie does this too! Mounted on a polished black slate base, marked Fratin on the base. Also stamped with the foundry mark 'Daubree, Editeur'. A fine desk top, shelf, or mantel piece for the dog lover, Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831 to 1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City’s Central Park. Today, Fratin’s sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...

Italian Grand Tour bronze in the Renaissance style of Atlas on an elaborate tripod base ending in hoof feet. The Greek god Atlas is is depicted naked on top holding the world upon hi...

French, late 19th to early 20th century. Pair of gilt bronze cupid mantel statuettes, one with bow drawn and one removing an arrow, on white marble plinths...

A stunning and extremely high quality Italian 19th century Verde Antico and white Carrara marble statue. The statue is raised by a rectangular Verde Antico marble base with a fine cu...

A Beautiful Pair of Italian 19th Century Grand Tour Patinated Bronze Dogs on Green Marble Bases. Each dog is beautifully cast, hand-chassed, and hand-chiseled. They are life-like in ...

A fine quality pair of early 19th Century Regency period well-cast bronze Models of Greyhounds, having engine-turned gilt-brass collars, on moulded edged red marble bases.