Set of Three Tibetan Tsa Tsa, c. 1900

This stack of two molded ceramic tsa tsa bricks depict Buddhist deities. Each was a meditation created in a monastery by a Buddhist monk in training. They were...

Hand-carved and lavishly pigmented, these gilt fragments originated as decorative elements of ornate Qing-dynasty furniture or architecture. Elevated by ...

Cast in brass with a rich patina, this seated figure is a Lama, a spiritual master and teacher of the Dharma in Tibetan Buddhism. The figure likely de...

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo to appear as though parceled by a cloth strung with tassels. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo in the shape of a ripe pomegranate. The handle is carved to resemble a thin branch, which forks to either side of the teapot bearing long, slender leaves. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

A wonderful 6.7 lb gilt copper statue of the great teacher, Padmasambhava, also called Guru Rinpoche. He is considered the founder of Tibetan Buddhism's oldest school. Seated on double lotus throne, he is wearing a peaked crown with upturned ear flaps, and a long robe with richly embroidered cloud pattern and Tibetan boots. In his right hand he holds a vajra to bring enlightenment, in the left a kalasa that contains elixir of wisdom. The face full and youthful, with furrowed, lifted brows and wide, almond-shaped eyes, the ears adorned with long foliate earrings...

Yab-yum statue symbolizing a union of wisdom and compassion, masculine and feminine, active and passive, compassion and insight necessary for enlightenment. Has significant weight to...

A fine silver bronze statue of the Tibetan teacher Tsongkhapa. Je Tshongkhapa is the teacher of Tibetan Buddhism whose activities formed the Gelug sch...

A stunningly graceful life-sized arm and hand of the Buddha, Tibet, late 18th or early 19th century. The hand is beautifully cast, with long, elega...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...

A fantastic and powerful Sino-Tibetan gilt bronze figure of Hayagriva and his consort Vajravarahi, created in Tibet for the Chinese market, 18th/19th century, Tibet. The wrathful...